Textile Structure
how cloth is put together
Depth

Series — page 4

A field says what an essay is about. A series follows one idea essay by essay — from the question that introduces it to the one that assumes all the others.
What an interlacing costs. Each weave's interlacing count beside the closest it can be set in the same yarn. The two run opposite ways, because a thread that changes face often has to bend often and a bend takes room.

Firmness

  1. 1 Interlacings and firmness
  2. 2 A cloth slips at its least-interlaced thread
  3. 3 A selvedge holds only where its edge end changes face
3 essays · weaves The two diameters of a 20 tex yarn. The pressure inside a twisted yarn is zero at its surface, so the outermost fibres are held by nothing but their own buried ends and some of them stand off as loops and ends. A yarn therefore has two diameters: a mass diameter of 167.1 µm, which is a volume divided by a length and is the one every other calculation on this site uses, and a contact diameter of 217.1 µm, which is what a neighbouring thread, a finger or an air stream meets. The gap is a hair layer of 25.0 µm on each side and it is measured, not computed — nothing here predicts hairiness. What is computed is the consequence, and it is 29.9% of the diameter every cover factor on this site was built from.

Hairiness

  1. 1 The hairs are what touch
  2. 2 Singeing is the cheapest change to a surface
  3. 3 A hair layer is a balance, not a stock
3 essays · cloth What four notations can say. Four ways of writing a weave down, with how many of the 426 four-by-four cloths each can express and whether expressing one identifies it: point paper, 426, identifies; a four-part draft on 3 shafts and 4 treadles, 110, identifies; a fraction name, 5, does not identify; a longest-float specification, 426, does not identify. A longest-float specification names every cloth and separates them into only 3 classes.

Notation

  1. 1 Four ways to write a weave down
  2. 2 A profile draft is a notation whose alphabet is weaves
  3. 3 A lifting plan says nothing without a threading
3 essays · cloth A filter cloth has two jobs. Opening size against sett for a woven filter cloth, with the two limits that specify one: the soil is retained below the retention line, and the water passes above the open-area floor. They pull opposite ways, so the answer is an interval in the sett — and for a fine enough soil there is no interval at all.

Openings

  1. 1 A filter cloth has two jobs
  2. 2 A hole is a channel, not an opening
  3. 3 Only a plain weave has one size of hole
3 essays · applied The strong fibre is the one that pills. Standing pills per unit area by fibre, relative to wool, at one and the same fuzz supply — every row is the same cloth raised the same amount, so the only thing varying is how long a pill survives once it exists. A pill is not made, it is kept: rubbing generates it and rubbing breaks the anchor fibres that hold it, and an anchor survives in proportion to how much force it takes to break. So polyester carries 18 times wool's standing population from the same generation rate, and the ordering here is exactly the ordering of tenacity and nothing else. Wool sheds its pills because wool anchors break. No two real fabrics have the same fuzz supply, which is why a wool knit still pills more than a cotton shirting in practice — the comparison drawn here isolates the anchor and says nothing about the generation, and reading it as a ranking of fabrics would be wrong.

Pilling

  1. 1 A pill is anchored, not made
  2. 2 The strong fibre is the one that pills
  3. 3 The knitted pilling criterion gets its number
3 essays · applied The shed in section. A warp line 1200 mm from the fell of the cloth at the left to the back rest at the right, with 8 shafts at 300 mm and every 16 mm behind it. Each shaft lifts its ends in proportion to its own distance from the fell, which is what gives the same 30 mm clear opening at the reed from every shaft. The resulting extension is 0.460 per cent at the front shaft and 0.722 per cent at the back, a ratio of 1.57. Vertical scale exaggerated 4 times.

Shed

  1. 1 The shed is an extension
  2. 2 The back shaft works hardest
  3. 3 A figure is harder on its warp
3 essays · mechanics Which knitted structures spiral, at a twist factor of 4.0. A yarn leaves the spinning frame with a torque it has not been allowed to release, and a loop knitted from it leans. The lean per unit of twist factor above balance is measured; what is counted here is the structure. A loop on the front bed and one on the back are mirror images, so their torques have opposite signs, and a fabric that knits equally on both beds nets to zero whatever the yarn is doing — which is why 1x1-rib, 2x2-rib, interlock do not spiral and plain, half-cardigan, tubular do. The count has to be made per fabric and not per structure: an interlock and a tube both knit equally on the two beds, and they are opposite cases, because an interlock's two components each straddle the beds while a tube's are each wholly on one. The integrity criterion, which asks what nothing holds together, is what tells them apart. What the bars cannot show is the tube's second face, which leans the other way.

Spirality

  1. 1 A jersey leans because its yarn still turns
  2. 2 A circular machine leans its courses whatever the yarn
  3. 3 A tuck decides whether a third of two-bed fabrics lean
3 essays · knits half-cardigan as an array. One cell per needle per course, over 2 repeats each way. K knits a new loop and casts the old one off, T tucks the yarn into the loop below without casting off, M misses the needle and floats past it. The margins carry the two conditions: a wale with no K in it never casts off, and a course with no K in it is never caught by anything. Both hold here.

Stitch notation

  1. 1 Knit, tuck and miss
  2. 2 What a tuck costs
  3. 3 A tuck is the one stitch that links twice
3 essays · knits The reed is not the sett. Twelve ends held at the reed's pitch above and at the cloth's pitch below, for a sheeting whose weft crimp is 14.61 per cent. The count is the same in both rows and only the spacing changes: the cloth is 12.75 per cent narrower, so a reed at 24.43 ends per centimetre produces a cloth at 28. The crimp comes from the Peirce solution at this cloth's quoted construction.

Take-up

  1. 1 The reed is not the sett
  2. 2 The setts a loom can reach
  3. 3 The construction a loom must be set to
3 essays · setting Every cloth at 150 grams. The counts and setts that all weigh 150 g/m² at a crimp of 7 per cent and a balance of 1. Hollow marks are past the jam — arithmetic rather than cloth. Among the 10 that can be woven the cover factor runs from 0.28 to 0.77, a factor of 2.77, and every one of them is the fabric the specification asked for.

Weight

  1. 1 What a fabric weighs
  2. 2 How dense a knitted fabric is
  3. 3 A weight fixes the fibre and not the drape
3 essays · setting Two pore systems in one cloth — 24 threads per centimetre. A plain weave of 20 tex cotton in section, at 24 threads per centimetre, so the yarn is 167 µm across and the clear hole between two picks is 250 µm. That hole's hydraulic radius is 124.8 µm. Inside the yarn, fibres 14 µm across packed at 0.6 leave spaces of hydraulic radius 2.33 µm — 53 times finer, and by Jurin's law 53 times higher: 6.37 m against 119 mm. The yarn's interior is magnified 6 times and the two discs at the foot are the only part drawn at one scale.

Wicking

  1. 1 How high a cloth wicks
  2. 2 Wicking is slower along a crimped thread
  3. 3 The pore that wicks is the pore that leaks
3 essays · applied Wrinkles 127 mm apart. A 300 mm width of a 120 g/m² cloth whose bending length is 20 mm, held under 5 newtons per metre across it and compressed. It cannot carry the compression in the plane, so it leaves the plane, at a wavelength the bending rigidity and the tension settle between them: 127 mm, which is 2.4 wrinkles across the width. The amplitude is drawn and is not computed — this arithmetic sets the spacing and says nothing about the depth.

Buckling

  1. 1 A cloth cannot carry a push
  2. 2 The nodes a drape test throws away
2 essays · mechanics Six ways of saying how fine a yarn is. The same four yarns written in six count systems, all placed on one axis of tex. A direct system states mass per unit length and rises as the yarn coarsens; an indirect one states length per unit mass and falls. Both kinds are in daily use and neither says which it is.

Count

  1. 1 The yarn count systems, and why there are several
  2. 2 The count that decides how flat
2 essays · setting Seven weaves at one construction, and what each of them really passes. Every weave here is drawn at the same filter — the same yarn, the same sett, the same cover and therefore the same open area, equal to twelve decimal places. Each one shows an opening of 263.7 µm to anybody looking straight through it, and that is the number a specification quotes. The bar is what each will actually let past, which is the narrowest section anywhere along the channel rather than the narrowest view down it. The plain weave passes exactly what it shows and it is the only weave here that does: its ends transit at every gap, so the four threads round every hole are level in pairs and the waist is at the middle. A float leaves two ends together at the top of the cloth, their neighbours at the bottom, and a passage between them that is wider than its own mouth — up to 12.8 per cent over the rating, for the basket.

Filtration

  1. 1 A filter is rated by the hole it does not show
  2. 2 A woven filter beats its own rating
2 essays · applied What a balanced cloth wastes under pressure. The fraction of a balanced fabric's fibre that is along for the ride, in a stress field of each ratio. A closed cylinder is exactly two to one — the ratio of the two areas the pressure acts on — so a balanced cloth reaches its limit around the circumference with the axial system at half its capacity, and a quarter of the fibre is doing nothing.

Membrane

  1. 1 An inflated cylinder wants an unbalanced cloth
  2. 2 An inflated beam wrinkles at a moment with no cloth in it
2 essays · applied Where the strain goes, at a 25° twist. Extend a twisted yarn and the fibres in it are not all strained alike. If each stays at its own radius — the affine model — a fibre at helix angle θ takes cos²θ of the yarn's strain, so the fibre on the axis takes all of it and the fibre at the surface takes 82.1% of it. The core reaches its breaking extension first and the yarn cannot realise its own fibres. If instead every fibre migrates between the core and the surface, every fibre has the same mean strain and they all break together. The two are exactly computable — 0.8214 against 0.9509 of what the fibres could give — and the ratio between them, 2/(cos α(1 + cos α)) = 1.158, is what migration is worth. The shading is that arithmetic and the two panels use the same scale.

Migration

  1. 1 A straight fibre cannot share the load
  2. 2 What grips the end of a fibre
2 essays · mechanics How much fibre a woven reinforcement holds. A unit cell of a woven reinforcement in section: flat tows, the thickness they add up to, and the wave the warp makes to cross them. The bar below is the fibre volume fraction against the same tows laid flat in two plies and against the packing factor of a tow, which is the most any cloth of them could be. The vertical scale is exaggerated so the interlacing is legible; the horizontal scale is the cloth's own.

Preform

  1. 1 The crimp is the price of being cloth
  2. 2 A fabric to fill and a fabric to load
2 essays · applied What a knitted band presses a limb with. Pressure against extension for a 20 tex cotton band at a 3.5 mm loop, wrapped round a 30 mm radius — a wrist. The pressure is the fabric's own tension per unit width divided by that radius, and the tension is the loop's bending with the relaxed shape as the yarn's natural one, so nothing here is fitted. Over the range a cuff is actually used across it runs from a twentieth of a millimetre of mercury to 0.85. The shaded bands are what a compression garment is specified at, and the curve does not reach the lowest of them until 277 per cent — which is not a cuff, it is a fabric stretched almost to the point where its yarn runs straight.

Pressure

  1. 1 What a cuff presses with
  2. 2 A tube of one size presses the calf harder than the ankle
2 essays · applied A fashioned edge at 1 wales in 2 courses. A knitted panel narrowing by 1 wale every 2 courses, drawn at the fabric's own aspect: a wale is 1.2791 times as wide as a course is tall, which is Munden's ratio of the two published constants. The edge therefore stands at 32.60 degrees from the wale, and that angle is the same in every yarn, at every gauge and at every loop length. Marks show where the 8 transfers fall.

Shaping

  1. 1 A fashioned edge has a quantised angle
  2. 2 A tube can only be shaped by its loop
2 essays · knits The tricot lapping. A warp-knit lapping drawn from the guide bar's movement. Each thread is coloured by the group of wales it belongs to, so a lapping that leaves the wales independent shows as several colours. This one joins them into 1 group.

Warp knit

  1. 1 Warp knitting, which is a different thing entirely
  2. 2 What a second guide bar is for
2 essays · knits

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