The collection

Every essay — page 10

Page 10 of 23, continuing through the fields in the same order.

What cloth is Weaves Setting and geometry Knits and other structures Mechanics and drape Pattern and colour Compound and figured cloths After the loom Cloth doing a job

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Knits and other structures

Loops rather than crossings. Why a knit stretches without a bias, why stockinette curls, and why a dropped stitch runs while a woven cloth frays.

Two numbers that stay at zero however large the fabric gets. The linking number of two adjacent courses, and the writhe of one course per wale, for tubes of 6 to 20 wales. Both sit at zero and stay there: the largest departure anywhere on the plot is 1.5e+1, which is the sampling. A quantity that should grow with the fabric and does not is the cleanest kind of null result: the model has the geometry of knitting and none of its topology, and making the fabric bigger does not make the topology appear.

Five symptoms of one omission

Five things this collection recorded as unexplained, found in four different ladders over three years of work. They are the same defect seen from five directions, and the defect is one sentence written for good reasons with no visible cost at the time.

7 figures · Topology
Two courses at the yarn's own width, and the place they overlap. The solved course of a 20 tex cotton jersey at a 3.5 mm loop, drawn in plan with the course below it, each strand at the yarn's own diameter of 0.167 mm. Where the two overlap, the fabric is occupying the same space twice. The interlacing is where the model placed them one diameter apart. The closest they come is 0.130 mm — 0.780 of a diameter — and it is not at the interlacing. A round yarn cannot occupy this arrangement; a yarn flattened to 78% of its round diameter can, and flattened is what a yarn in a fabric measurably is.

The fabric that does not fit

Every solve in this collection minimises an energy over a centre line, and a centre line has no thickness. Nobody had checked whether the fabric that comes out of it can be built. It cannot: two adjacent courses of the relaxed jersey approach to four fifths of a yarn diameter, so the yarn passes through itself, at rest, everywhere.

6 figures · Contact
The section the fabric asks for, beside the one the model drew. A 20 tex cotton yarn in cross-section, at 900 times life size. The circle is what every solve here has assumed: a diameter of 0.167 mm from the count and the packing factor. The ellipse has the same area and a minor axis of 78% of it, which is the closest the fabric's own adjacent courses come to one another — 0.130 mm. Nothing about that number was fitted to a fabric. It falls out of a solve that knew nothing about flattening, and it lands inside the range the trade reports for yarn in cloth, which has been carried here as a free parameter ever since it first put a number on a sett.

The flattening nobody fitted

A yarn in cloth is not round, everybody knows it, and nothing has ever predicted how flat. This collection's own knitted geometry turns out to require a flattening of four fifths — from a solve that knew nothing about flattening, made no allowance for it, and would have been written the same way if the idea had never occurred to anybody.

7 figures · Contact
The flattening a knitted fabric asks for, against its own tightness. Every point is a solved fabric — 18 of them, over five loop lengths, three relaxation states and three counts — and the vertical axis is the closest its adjacent courses come, in diameters. The values run from 0.707 to 0.839 and they fall on one curve against the tightness factor, which is the model's only dimensionless group. That is what makes this a structural requirement rather than an arithmetical accident of one example: a tighter fabric demands a flatter yarn, by an amount its own tightness decides, and nothing about the fibre or the count enters except through that group.

A flattening that follows the tightness factor

Eighteen solved fabrics — five loop lengths, three relaxation states, three counts — and the flattening each one's geometry demands falls on a single curve against one dimensionless group. Nothing about the fibre or the count survives except through that group, which is what turns an arithmetical result into a structural requirement.

6 figures · Contact
Two courses at the yarn's own width, and the place they overlap. The solved course of a 20 tex cotton jersey at a 3.5 mm loop, drawn in plan with the course below it, each strand at the yarn's own diameter of 0.167 mm. Where the two overlap, the fabric is occupying the same space twice. The interlacing is where the model placed them one diameter apart. The closest they come is 0.130 mm — 0.780 of a diameter — and it is not at the interlacing. A round yarn cannot occupy this arrangement; a yarn flattened to 78% of its round diameter can, and flattened is what a yarn in a fabric measurably is.

A loop bends at twice its own radius

A rod of radius r cannot be bent to a centre-line radius below r without occupying its own space. A knitted loop's tightest bend is at 2.04 yarn radii — twice the hard limit, and falling as the fabric tightens. That is a ceiling on how tight a knit can be, from contact alone.

7 figures · Contact
The extension ceiling, with the yarn given a thickness. As a jersey is pulled along its courses the wale spacing grows and the course spacing has to fall, because the yarn between two interlacings is a fixed length. The upper curve is how small the course spacing may be before the yarn runs out; the lower is how small it may be before two adjacent courses occupy the same space. The geometric ceiling is 322% and the contact one 299% — 7% lower. That is the result and it is a negative one: a measured jersey extends by about a hundred per cent, so contact between courses is not what puts the computed ceiling three times beyond a real one. The candidate this ladder was written to test is ruled out.

Contact is not why a jersey stops

The model says a jersey can be pulled to three hundred and twenty per cent along its courses. Real ones stop at about a hundred. The recorded diagnosis was that nothing stops adjacent courses passing through one another — and giving the yarn a thickness closes seven per cent of a gap of two thirds.

6 figures · Elastica
The crest, and the loop that ought to be holding it open. One course of the solved fabric in plan, with the two half periods that meet at a crest marked. They approach to 0.003 mm — 0.018 of a yarn diameter — and run within that of one another for more than a millimetre of arc. The ring drawn between them is the needle loop of the next course, which is what holds them apart in a fabric and what this model does not have: the interlacing was declared a point, and a point holds nothing open. The same omission is what makes the course's writhe zero and its linking number zero, so three of this collection's findings are one defect seen three ways.

What holds a crest apart

Two half periods meet at every crest of every course and, in this collection's model, run within a fiftieth of a yarn diameter of one another for more than a millimetre. In a fabric what holds them apart is the loop of the next course drawn between them — which is the loop this model does not have.

6 figures · Contact
A knitted interlacing, and the number that makes it a fabric. Two loops idealised to rings, one drawn through the other, which is what a needle does. The Gauss linking integral returns 1. A knitted fabric of n wales has that between every pair of adjacent courses n times over, and it is the whole of why a knitted fabric can be made from one thread and taken apart by pulling it.

A tuck is the one stitch that links twice

Knitting has three stitches and only one of them makes a new link. A knit stitch links a loop to the loop below; a miss links nothing; and a tuck holds two loops in one head — which is why a tuck stops a run and why the three cannot be described by one number.

6 figures · Stitch notation
The course helix of a 30-inch machine with 96 feeders, unrolled. A knitted tube from a 30-inch machine with 96 feeders unrolled flat, one round wide, with its wales drawn straight along it and its courses climbing across it. The machine lays 96 courses in each turn, so each course climbs 96 course spacings — 48 mm of fabric — in one round of 2,262 wales, 162 cm: an angle of 1.70° from the tube's cross-direction. The course drawn heavy is followed round one turn. The vertical scale is exaggerated 6 times. What the drawing cannot show is the hand of the helix, which is set by the direction the cylinder turns.

A circular machine leans its courses whatever the yarn

Spirality is blamed on the yarn, and the yarn is most of it. The rest is the machine's. A circular knitting machine's needles make wales that run straight along the tube, and its feeders lay one course each per turn, so every course climbs its feeder count in every round: on a 96-feeder machine, 48 millimetres round 162 centimetres of tube, an angle of 1.7 degrees. The helix has no machine size in it, its hand is set by the way the cylinder turns, and it survives every remedy aimed at the yarn — a steamed yarn, a plied one, S and Z on alternate feeders, and a rib.

6 figures · Spirality
Imbalance against the torque a tuck carries, for six named structures. For six named two-bed structures, the imbalance of front-bed loops against back-bed loops in the worst fabric, as the share of a knit loop's torque a tuck carries runs from nought to one: single jersey from 1.000 to 1.000; a one-by-one rib from 0.000 to 0.000; a half-cardigan from 0.333 to 0.000; a full cardigan from 0.000 to 0.000; a rib that both tucks and floats from 0.333 to 0.143; a half-milano from 0.333 to 0.333. Structures without tucks are flat lines; a half-cardigan falls from a third to nought and a rib that tucks and floats from a third to a seventh. What the lines cannot show is where along them a real tuck sits, which is not measured.

A tuck decides whether a third of two-bed fabrics lean

A jersey leans because every loop is on one bed and a rib does not because its loops are mirrored across two, and the count that says so treated a tuck as nothing. A tuck is a loop of the same lively yarn wrapped round a needle of one bed, and nobody here has measured how much of a knit loop's lean it carries. It matters. Of the 1,135 two-bed fabrics a two-needle, two-course frame can make, 135 are balanced whatever a tuck carries and 612 lean whatever it carries — and 388, a third, are balanced under one answer and lean under the other. A half-cardigan leans a third of a jersey if a tuck carries nothing and not at all if it carries a full loop's torque, which makes it the instrument that would settle the question.

6 figures · Spirality
What a second bar wants that the first does not. How much more yarn each guide bar needs than a tricot bar, per wale, over a 100 metre piece at 14 courses a centimetre — which is 140000 courses. A cord bar wants 111.3 metres more and a satin bar 232.3, both of which are more than the piece is long. A shared beam is one course spacing out after 0.28 courses.

Two bars cannot share a beam

Two guide bars each make one overlap a course and one underlap, and the overlap is the same object on both — the same needle, the same loop. So the difference in what they consume is exactly the difference in their underlaps, with no model of a loop in it: a cord bar wants 111 metres more yarn per wale than a tricot bar over a hundred-metre piece, and a satin bar 232. A shared beam is one course spacing of slack out after less than half a course.

7 figures · Warp knit
The locus a warp knit's underlaps put it on. Width against length for each shog, at 28 needles an inch and 14 courses a centimetre. An underlap keeps its own length, so the two spacings lie on a circle and every fabric moves along an arc of it. A tricot can be pulled 27.3 per cent wider and 62 per cent longer; a cord 7.5 and 173. The shog decides which.

The shog is the anisotropy

An underlap is a straight run from one needle to another on the next course, so it is a hypotenuse — and its length is fixed while the two spacings are not. Pulling the fabric wider turns it towards the horizontal and pulls the courses together, on a circle. Every state a warp knit's underlaps allow lies on that circle, its as-knitted point sits where the shog puts it, and the ratio of the length it can give to the width it can give runs from 2.3 at a tricot to 218 at four needle spaces.

5 figures · Warp knit
A short-row heel on 64 needles, laid flat. The 32 heel stitches of a 64-needle sock, each column drawn as the courses it was worked in during the short rows: nought at the heel's two edges, rising by four courses a stitch to 42 across the 11 stitches left at the turn. The cells are drawn at the knit's own aspect, a wale 1.2791 times as wide as a course is tall. The instep's 32 columns beside it are worked in none of the short rows. Down the back line the extra length turns the tube through 92.4 degrees, and the whole trapezoid is 65.6 per cent of the fabric a true bend of that angle would need.

A heel turns a right angle because of the loop

A sock's heel is knitted in short rows on half the needles until a third are left, then back out again. Down the back line that adds a length of courses, and a tube's back line longer than its front by that much has turned through π times two thirds over the loop's own aspect — 93.8 degrees, on any needle count, in any yarn. The trade's third is the loop's shape in disguise. What the rule does not do is make a bend: the heel supplies two thirds of the fabric a true right angle needs, and every missing stitch is on its sides.

6 figures · Shaping
Where a knitted disc is flat. The circumference a knitted disc grows per unit of radius, as a share of the 2π a flat disc needs, against the loop's aspect, for 4 wedges (flat at 1.2732), 10 every 2 rounds (flat at 1.2566). Wedges of short rows fall as the aspect rises and rounds with increases rise. The shaded band is the aspect of plain knit between its dry-relaxed value, 1.2500, and its wet-relaxed value, 1.2927.

A knitted disc is flat at one shape of loop

A disc lies flat only if its circumference grows by exactly 2π per unit of radius, and a knitted disc's growth is a count of loops in one direction over a count in the other. So it is flat at one value of the loop's aspect and no other. Knitted sideways in wedges of short rows the growth falls as the loop gets wider; knitted outward in rounds it rises. Four wedges and ten increases every two rounds are each flat at an aspect inside the range plain knit moves through when it is washed — and they cross it in opposite directions.

6 figures · Shaping
One gore of a 4-gore knitted ball, laid flat. A gore of 30 stitches from pole to pole, knitted sideways in short rows, drawn flat with its rows stacked at the plain-knit loop's fully relaxed aspect of 1.2791. Turned on the sine, its 10 row pairs turn at stitches 0, 1, 2, 3, 4, 5, 6, 8, 9, 11 from each pole — one stitch apart near the pole and further apart towards the equator — and its edge follows the width a sphere asks for. Turned one stitch every pair, the same gore is a diamond of 15 pairs, 1.50 times as wide at the equator. What the drawing cannot show is the fabric smoothing its own staircase edge.

A knitted ball's short rows have to slow down

A knitted disc needs one count to meet 2π; a sphere needs a count that follows a sine. Knitted sideways in gores, a ball's short rows must turn one stitch apart at the pole and ever further apart towards the equator — evenly spaced turns knit two flat discs joined at the rim. The pole is the disc again, so gores come in fours; the equator's row pairs have to come out whole, so only some sizes knit round; and a wash moves a four-gore ball from a ruffled pole to a round one.

6 figures · Shaping
A ball knitted in rounds, count by count. The stitch count of each round of a ball knitted outward from one pole in 40 rounds, from the pole to the equator, in the fully relaxed state, against the count a sphere asks for. Increasing 5 at a time it reaches 65 at the equator, increasing on rounds 1, 2, 3, 5, 6, 7, 8, 9, 10, 12, 14, 16; Increasing 10 at a time it reaches 60 at the equator, increasing on rounds 3, 5, 8, 11, 15. What the chart cannot show is where round the ball the increases fall, which spirals or stacks them and is a choice of the pattern.

A ball knitted in rounds washes the other way

A ball can be knitted sideways in gores or outward from one pole in rounds, and both have to follow the same sine. But a gore counts its meridian in stitches and its circumference in rows, and a round counts them the other way, so the loop's aspect sits underneath one construction and on top of the other. A wash raises the aspect — and closes a gored ball's ruffled poles while it opens a round-knitted ball's.

6 figures · Shaping
A ball knitted in rounds with its increases stacked in 5 lines. The shape a ball of plain knit takes unstuffed when its increases, 5 at a time, are stacked in 5 lines from pole to pole, with the same stitches in every round as a sphere. Every stitch between two lines is flat knit, so the 5 panels are flat and the one shape they close up into without stretching has 5 flat sides in every round and 5-sided points at its poles: 2.42 sphere radii tall, 2.14 across its ridges and 1.73 across its flats, so 1.13 to 1.40 times as tall as it is wide. The knitted counts of a 40-round ball give 1.13 to 1.40, against 1.02 for the same counts with the increases spread round, whose rounding is its own. What the drawing cannot show is stuffing, which would stretch the panels towards round.

Stacked increases knit a ball with flat sides

A ball knitted in rounds can put its increases anywhere in each increase round. Stack them in lines from pole to pole and every stitch between two lines has a flat knit's neighbours, so the ball is made of flat panels and all its curvature sits on the lines. Flat panels with straight rows close up without stretching in exactly one way: every round a regular polygon, each pole a point. At five lines that ball is 13 per cent taller than it is wide across its ridges and 40 per cent across its flats, and to make it round the stuffing has to stretch the middle of every panel by π²/4m² — nine per cent at five lines, less than a wash moves a course at ten.

6 figures · Shaping
A patterning bar's thread through one repeat. One guide-bar thread followed through a 12-course repeat, needle places across and courses down, with each course's underlap drawn beside it as a bar against the beam's steady delivery, the repeat's mean of 1.984 mm. The shogs are 1, 1, 1, 1, 1, 1, 3, 3, 3, 3, 3, 3: 6 of 1 space (1.155 mm) and 6 of 3 spaces (2.814 mm), at 28 gauge and 14 courses a centimetre. The overlaps, the same on every course, are not drawn. What the drawing cannot show is the tension: a course whose bar runs past the mean is a course the beam has not yet paid for.

A patterned warp knit needs a stroke as long as its stripe

A guide bar that changes its shog from course to course takes yarn at a changing rate from a beam that delivers at one. The overlap is the same on every course, so it cancels again, and the running shortfall is the sum of each course's underlap less the mean — exact, with no loop in it. It returns to nought every repeat and strays inside it by a stroke that something must absorb. For a stripe the stroke is about the stripe's own height in the cloth, whatever the machine's gauge. The same twelve courses of tricot and satin need six times the stroke in two blocks as alternating, and of all 924 orderings exactly one pattern needs the least.

6 figures · Warp knit
Where five two-bed structures hang straight, in the square of a single tuck's share and a held tuck's. The square of two unmeasured shares of a knit loop's torque: across, the share a tuck held for one course carries; up, the share each loop of a tuck held for two courses carries. Each line is where a named structure's every fabric balances, traced from its own count: a half-cardigan, single = 1.00, any held share; a held half-cardigan, held = 1.00, any single share; two loops against two, wherever the two shares agree; one hold against one, where a held loop carries half a single; a held tuck against a single knit, from (0.00, 0.50) to (1.00, 1.00). The diagonal is the account that treats every tuck loop alike, and the half-slope line the account in which a hold carries one tuck's torque however many loops it holds. What the square cannot show is where in it a real yarn sits, which is not measured.

A tuck held two courses is a second unknown

Counting a tuck as a share of a knit loop's torque assumed every tuck loop carries the same share, however long its needle holds it. A needle that tucks on two courses running holds two loops in one hook and casts them off together, and nothing says that second loop carries what a single tuck does. Give the held loop its own share and every structure hangs straight on a line in a square of two unknowns rather than at a point on one. Of the 9,581 three-course fabrics that looked immune to the tuck, 1,788 are immune only if a held loop carries exactly what a single tuck does — and if a hold carries one tuck's torque however many loops it holds, 13,337 are immune instead. Two small structures, each straight under one account and leaning under the other, would say which.

7 figures · Spirality
One repeat of two patterned fabrics, pulled two ways. One twelve-course repeat of a two-bar warp knit, each band a course drawn at its spacing and its kind: two tricot underlaps, two satin, or one of each. With the bars coincident the repeat is two bands, and narrowed to four fifths of its width the satin band opens to +150% while the tricot band opens to +26%; widened a fiftieth the satin band closes by −36% and the tricot band by −3%. Opposed, every course is the mixed kind and every course moves alike, by the smaller opening and the larger closing. The bands are drawn at the fabric's width to scale. What the drawing cannot show is the loops, held fixed here.

Opposed bars even a warp knit by locking it

Two patterning bars knitting the same stripe can be set so that each bar's long underlaps fall where the other's are short. Neither bar's stroke changes, and every course then carries the same total yarn — but that is not why the cloth comes out even. Every course pairs a long underlap with a short one, the long one stops the width and the short one stops the length, and so every course gives like the stiffer bar in both directions. The evenness is bought with the stripe's give.

7 figures · Warp knit

Mechanics and drape

Cloth as a mechanism rather than a material. The bias, the angle at which threads jam, and why a flat sheet cannot cover a sphere.