Mechanics and drape

The modulus a knit has instead of one

A fabric's stiffness in extension is usually its yarn's modulus with the geometry taken out. A knit's is not: dimensionally it can only be a bending rigidity over a length cubed, and the same yarn laid straight and parallel is thirty thousand times stiffer than the fabric made of it.

Worth reading first: What a knit gives when it is pulled · A yarn's stiffness is a bracket, not a number · The stiffness with no lower bound.

The initial slope of a load–extension curve is a modulus, and for most fabrics it is the yarn’s own tensile modulus with the geometry divided out. For a knit it is a different quantity altogether, and the difference is visible before any arithmetic: whatever number comes out, the yarn’s tensile modulus is not in it.

The value for a 20 tex cotton jersey is three and a half newtons per metre of fabric per unit strain. The same yarn laid straight and parallel at the same spacing is a hundred and fourteen thousand.

What a knit gives when it is pulled. Force against course-wise extension for a 20 tex cotton jersey at a 3.5 mm loop, computed from the loop's own bending with the relaxed shape as the yarn's natural one. The loop length is the same at every point on the curve: nothing here is the yarn stretching. It reaches 92% extension at 2.96 N per metre and then stiffens by a factor of 85 over the rest of the range, as the straight line between two interlacings runs up against the yarn between them. This is the number the collection's second phase recorded as a lower bound it could not compute, and it is still a lower bound in one respect: friction at the contacts is not in it, so a real fabric is stiffer than this and does not come back along the same curve.
Fig. 1 The load–extension curve whose slope at the origin is the number in question. It is soft for a long way and then geometric, and the softness is the loop reconfiguring at constant yarn length. Nothing on this curve is the yarn stretching, which is why nothing on it depends on how stiff the yarn is to stretch.

The dimensions decide the form

Before any solve, the shape of the answer is fixed. The only material quantity in the model is a bending rigidity, in newton millimetres squared; the only lengths are the loop length and the two spacings, which are all proportional to the loop length.

A force per unit width per unit strain has the dimensions of a force over a length, so it can only be the rigidity divided by a length cubed, times a pure number. The pure number is what the solve supplies, and for a relaxed jersey it is about a hundred and sixty.

That is worth stopping on. The whole of a knitted fabric’s extensional stiffness is one material property and one length, and the length is the loop length — the quantity a knitter sets directly at the machine.

Which material property

Bending, not tension. And that is not a small distinction, because the two are known to different accuracies and depend on different things.

A yarn’s tensile modulus is well characterised: it is the fibre’s modulus times a translation efficiency times the obliquity of the twist, all of which this collection computes, and it is reproducible to a few per cent. A yarn’s bending rigidity is a bracket a hundred and thirty wide, because whether its fibres slide over one another is a friction question nobody has solved.

So a knit’s extensional modulus is far less predictable than a woven cloth’s, and for a reason that has nothing to do with knitting.

The comparison, made properly

The honest comparison is not against the yarn’s modulus but against a fabric made of the same yarn doing the simplest possible thing.

Lay the yarn out straight and parallel at the same wale spacing — one yarn per wale, all of them along the direction of pull. Each carries its own axial stiffness, which this collection computes from the fibre’s modulus, the twist’s obliquity and the count. Per metre of width that comes to a hundred and fourteen thousand newtons per unit strain.

The knitted fabric of the same yarn at the same spacing gives three and a half. A factor of thirty-two thousand, four and a half decades, from nothing but the yarn having been looped instead of laid.

Where the factor comes from

It is a ratio of a bending stiffness to a tensile one, and those differ by the square of a slenderness.

Stretching a rod of length ℓ costs EA per unit strain; bending the same rod through a comparable angle over the same length costs about EI/ℓ², and I over A is the square of a radius of gyration — a fraction of the yarn’s diameter. So the ratio of the two is of order (ℓ/d)², which for a loop of twenty-one diameters is four hundred and forty.

The remaining factor of seventy is the arrangement: a looped yarn is not being bent through one angle over its whole length, and the reconfiguration is far more efficient than a single bend. Both factors are geometric, and neither has any material in it.

What that explains

The oldest observation about knitted fabric, which is that it stretches.

What a knit does instead of stretching its yarn. One stitch of a 20 tex cotton jersey at 0%, 46%, 104%, 162% course-wise extension, all four drawn at one scale with the same length of yarn in each. Nothing is stretched: the loop length is identical in all four and every change is the yarn moving. The force at the last of them is 6.5 N per metre of fabric, against 1.50 at the second — a soft region and then a stiffening, which is the shape of every knitted fabric's load–extension curve and no woven cloth's.
Fig. 2 One stitch at four extensions with the same length of yarn in each. The extension is entirely the loop changing shape, and a change of shape in a rod is a bending problem. Convert a tensile problem into a bending one and the stiffness falls by the square of a slenderness ratio; that is the whole of why knitted cloth exists as a category.

It also explains why knitting a fibre changes its usefulness more than weaving does. A cotton that stretches three per cent before breaking makes a woven cloth that stretches a few per cent and a knitted one that stretches a hundred, and the fibre did not change.

The comparison is worth doing properly, because the woven cloth is not a control. A woven cloth stretches too, and for a related reason: its crimp straightens, which is also a shape change rather than a fibre extension. The difference is how much shape there is to spend. A woven thread’s crimp is a few per cent of its own length and it is exhausted almost immediately; a knitted loop is nine tenths free run and can be pulled into something like a straight line before the yarn is asked for anything. So the two fabrics are on the same mechanism at opposite ends of it, and the factor between them is a ratio of available shape rather than a difference in kind.

Which is why the slenderness ratio in the paragraph above is the number to hold on to. Converting tension into bending buys a factor of the ratio squared, and for a yarn a few hundredths of a millimetre across bent over a loop a few millimetres long that ratio is in the tens. Squared, it is the thousandfold difference between a fibre’s modulus and a fabric’s — which nothing about the chemistry of the fibre could have supplied, and which no finishing process can take away.

What the number is not

It is not a Young’s modulus and it should not be quoted as one, for the same reason a cloth’s stiffness has no lower bound in a useful sense. A fabric has no well-defined thickness to divide by — a thickness is a maximum rather than a mean — so dividing a force per unit width by a thickness manufactures a stress with an arbitrary denominator.

The right unit is a force per unit width per unit strain, in newtons per metre, and it is the unit fabric testing already uses for exactly this reason. A modulus in pascals for a knitted fabric is a number with a made-up length in it.

The bracket it inherits

Three and a half newtons per metre is the figure at the free end of the rigidity bracket. At the coherent end it would be a hundred and thirty times larger, which is four hundred and fifty — still three decades under the straight yarn, so the conclusion survives the whole bracket and the value does not.

That is the pattern throughout this ladder and it is worth naming. The comparisons are robust and the values are not, because a comparison between two things computed the same way cancels the bracket and a value does not.

The anisotropy

The number above is for pulling along the courses. Pulling along the wales is a different quantity, and the model gives it from the same solve by imposing the other spacing instead.

A jersey is stiffer along its wales than across them, because a loop’s legs run more nearly along the wale direction than across it and straightening them is the cheaper operation. The ratio is not large — under two — and it is far smaller than the anisotropy a woven cloth has between its warp and weft directions when the two systems differ in count or sett.

The relaxed fabric is on a slope, not in a hollow. Bending energy per stitch of an unset 20 tex cotton yarn, against the wale spacing and against the course spacing, each varied through the relaxed fabric's own value at a constant 3.5 mm loop, and each divided by the energy the relaxed fabric holds. Both curves fall away from the relaxed state and neither turns round: by the right-hand edge the fabric holds 42 per cent of what it held, and the fall goes on until the yarn runs straight between its interlacings and the geometry stops. The slopes at the relaxed state are 4.98 mN and 39.0 mN per stitch, which is what something other than the yarn's own springing has to be supplying. A model whose energy minimum is nowhere near the fabric everybody measures is not nearly right; it is right about the yarn and wrong about the mechanism.
Fig. 3 The energy against each spacing in turn, whose slopes at the relaxed state are the two forces and whose curvatures are the two moduli. The course-wise curve is much the steeper, which is the same statement: the fabric responds more readily in the direction where the loop has more to give.

What the modulus does with the loop length

As the inverse cube, which is a strong dependence and the most useful thing here for anybody specifying a fabric.

Loosen the loop by twenty per cent and the modulus falls by nearly half. Tighten it by twenty and it nearly doubles. That is a bigger lever than any change of fibre available, and it is the reason a knitter’s tightness factor is a specification rather than a preference.

It is also why two fabrics of the same yarn and the same weight can feel entirely different: weight per unit area is set by the yarn and the stitch density together, and the modulus is set by the loop length alone, so the two can be moved independently.

Beside a woven cloth

The contrast is the point of computing it, and this collection already has the woven side.

Why a cuff is ribbed. The force a knit pulls back with, over the range a cuff is used across. It rises the whole way — 0.79 N per metre at 23% to 3.38 at 104% — and it is small throughout, which is the combination a cuff needs and almost nothing else supplies. A rib gets its extension by geometry, folding alternate wales to opposite faces so that its relaxed width is about half its opened one, and it gets its recovery from the loop reconfiguring. Neither is the yarn stretching, which is why a cuff made of a fibre with no elastic recovery at all still works.
Fig. 4 The same curve over the range a cuff uses, which is where a modulus would be quoted if a knit had one. It rises the whole way and its slope changes by an order of magnitude across the range — so any single number taken off it is a number about the extension it was measured at.

A woven cloth’s initial modulus is of the order of thousands of newtons a metre; a knit’s is a few. Three decades, in fabrics of the same yarn, and the mechanism is the same in both — thread moving at constant length. The difference is entirely how much thread there is to move, which is half the yarn in a knit and four parts in a thousand in a cloth.

That one ratio is doing an enormous amount of work across this ladder, and this is the place it is most visible.

What a fibre change does and does not do

A useful negative result for anybody choosing a fibre.

Switching a jersey from cotton to polyester at the same count and the same loop length changes the tensile modulus by about half and the bending rigidity by rather more, because the bracket depends on the fibre count as well as the modulus. What it does not change at all is the extension available before the geometric ceiling, because that is a statement about lengths.

So a fibre change moves the vertical scale of the load–extension curve and leaves the horizontal one alone. A knitter wanting more stretch has to change the loop length; a knitter wanting a different feel at the same stretch changes the fibre. Those are separate knobs and the model says they are separate.

The one place the tensile modulus does appear

At the very end of the curve, and only there. Once the yarn between two interlacings is straight, further extension has to stretch it, and at that point the fabric’s stiffness jumps from three newtons a metre to something of the order of the straight-yarn figure.

The jump is by four decades and it happens over a few per cent of extension. That is what a knitted fabric’s break looks like on a tensile tester: a long soft region, a knee, and then an almost vertical rise to failure. The model reaches the knee and stops, because beyond it the assumption of constant yarn length is false.

The number as a function of tightness

Since it is a millisecond’s work, the modulus can be plotted against the lever that moves it rather than quoted at one construction.

A loop is bent about as hard as its yarn allows. The tightest curvature anywhere on a relaxed loop, against the knitter's own tightness factor, in units of one over the yarn diameter — which is the curvature of a yarn wrapped hard round another of the same size, and the tightest bend any fabric asks for. Across the whole range a knitter can reach it stays between 0.73 and 1.27, crossing one at a tightness factor of about thirteen — which is where the trade's own usable band begins. Nothing arranged that. The only things imposed are the loop length, the yarn diameter and the two measured spacings, and the curvature is whatever the minimisation returns.
Fig. 5 The loop’s tightest bend against the tightness factor. It is the same sweep that carries the modulus, because the whole loop geometry is a function of that one ratio: everything on this ladder — the slack, the peak curvature, the contact force, the modulus, the extension available — moves together with it and nothing moves independently.

That is a strong statement and it is worth testing rather than admiring. If the modulus really is a function of the tightness factor and the rigidity alone, then two fabrics of the same tightness factor in different fibres should have moduli in the ratio of their bending rigidities over their loop lengths squared, and nothing else should enter — not the count, not the gauge, not the stitch density.

That is checkable with a tensile tester and two fabrics, and it is the most easily falsifiable claim on this ladder.

What a designer feels, and what this is not

A caution, because “modulus” and “soft” are not the same word.

The number here is extensional stiffness. A fabric’s handle — the thing a hand judges — is mostly bending and shear at very small loads, and a knit is not especially soft in bending: computed the same way as this collection’s woven cloths, a jersey’s bending rigidity lands in the same band as a poplin’s, at the limp end.

So the sentence a knit is soft needs its object. It is enormously soft in extension and ordinarily soft in bending, and conflating the two is how a fabric that drapes stiffly and stretches easily gets described as though both came from one property. The rung that measures the bending finds the more interesting half is not the magnitude but the direction dependence.

What the picture cannot show

A modulus. It is a slope at a point, and a slope at a point on a curve that is nearly flat there is the hardest thing to read off a plot. The figures here show the curve; the number is stated.

Nor can any figure show the bracket. Every ordinate on every load–extension curve in this ladder could be multiplied by a hundred and thirty and the drawing would look identical, because the axis would rescale with it.

What the fabric is doing while it obeys it

It is worth putting the drawn loop beside the number once more, because the modulus is a statement about a shape rather than about a material and the shape is available.

A jersey gets taller before it gets shorter. How much a 20 tex cotton jersey shortens along its wales as it is pulled along its courses, with the course spacing at every extension chosen to minimise the loop's energy rather than assumed. Over the first 81% it is negative — the fabric gets 2.0% taller as it is pulled wider — and only then does it start to contract, reaching 88% at the geometric limit. A material with a negative Poisson ratio is a curiosity; a knit has one over part of its range for a reason with no material in it at all, which is that widening a wale at a fixed loop length first lets the loop's tightest bends open and only later starts taking height away from it.
Fig. 6 And the transverse response over the same range, which a modulus would also have to carry. It changes sign — so a Poisson ratio quoted for a knit is a number about one extension too, and the pair of constants a designer would want does not exist as a pair.

Nothing else is. There is no fibre in the picture, no twist, no gauge and no machine, and none of them appears in the answer except through the one rigidity. That is the same collapse Munden found in the dimensions, turning up in the forces and for the same reason: at a fixed loop length, everything about a plain knit is a function of one ratio.

The difference is that the dimensions were measured to collapse and this is derived to. A measurement that collapses is an invitation to look for a reason; this ladder is the reason arriving sixty-odd years late.

What was known before

That knitted fabrics are soft in extension, universally. That the softness comes from loop reconfiguration rather than yarn extension, since at least the 1950s. That the tightness factor governs it, empirically, from the trade.

What is new is the form of the answer: a bending rigidity over a length cubed, with a pure number in front that the geometry supplies and no material in it beyond that one rigidity. The form is what turns a set of empirical rules into a single statement, and it is what says which measurement would improve the prediction — a better bending rigidity, not a better tenacity.

The tightness factor cannot carry a modulus on its own

The claim that everything on this ladder is a function of the tightness factor is right about the dimensionless quantities and cannot be right about this one, and the reason is worth working through because it produces the specification the essay is reaching for.

A modulus in newtons per metre is a dimensional quantity, and the tightness factor is a pure number. So no function of the tightness factor alone can give it; a length has to come from somewhere. Following the dependences through says which length and with what exponent.

The modulus is B/ℓ³. Bending rigidity goes as the fourth power of a diameter and a diameter as the square root of the count, so B ∝ tex². And the tightness factor is √tex over ℓ, so tex = K²ℓ². Substituting,

modulus ∝ K⁴ ℓ.

At a fixed tightness factor, a knit’s extensional modulus is proportional to its loop length — so two fabrics a knitter would call equally tight, one at a two-and-a-half millimetre loop and one at five, differ by a factor of two in stiffness. The coarse-gauge one is the stiffer.

That is not a contradiction of the ladder’s finding; it is the finding stated dimensionally. Every ratio on this ladder is a function of K alone, and every quantity with units in it needs a length as well.

Which gives the specification a second line, and it is one already printed

Run the same substitution through the areal weight and the two dependences turn out to be the same one.

A knit’s yarn length per unit area is the two shape constants over the loop length, so its mass per unit area is that times the count — which with tex = K²ℓ² comes to

areal mass ∝ K² ℓ.

The same first power of the loop length that the modulus carries. So dividing one by the other removes it:

modulus ÷ areal mass = a function of the tightness factor alone.

That is the clean statement the essay wants and could not have with the tightness factor by itself. A knit’s stiffness per unit weight is set by its tightness factor, and its stiffness is that times its weight. Both numbers are on every specification already — grams per square metre and a tightness factor, or the loop length and count they come from — and putting them together predicts the modulus without a tensile test.

It also settles a familiar comparison. Two jerseys of the same weight and different gauges have the same modulus if and only if they have the same tightness factor, whatever their counts and stitch densities; and two jerseys of the same tightness factor and different weights differ in modulus in exactly the ratio of their weights.

And it says which sweep tests which exponent

The falsification test proposed above — knit one yarn at five loop lengths — is a fixed-count sweep, and there the tightness factor moves as one over the loop length while the rigidity stays put. So the modulus goes as ℓ⁻³ and the essay’s exponent of three is the right thing to look for.

A fixed-tightness sweep is a different experiment and a harder one, because it requires the count to move as the square of the loop length: a five-millimetre loop needs a yarn four times the tex of a two-and-a-half-millimetre one. There the exponent to look for is plus one, and the two sweeps together are a much stronger test than either.

A model that got the fixed-count exponent right and the fixed-tightness one wrong would have the rigidity’s count dependence wrong — which is exactly the fourth power that this collection carries as a bracket, and which nothing on this ladder has otherwise been able to test.

Where the specification bites

A garment engineer choosing a knit for a given stretch has three levers and now knows their exponents: the loop length as the inverse cube, the yarn’s bending rigidity linearly, and the structure through the pure number in front.

Of those, only the first is under real control at the machine. The second is a consequence of the fibre and the twist and is known only to within a bracket. The third changes when the structure changes — a rib, an interlock, a tuck — and is not computed here for anything but a plain jersey.

A test that would refute it

Stating what would break the claim is cheaper than defending it, and there is a clean one.

The claim is that a knit’s initial extensional modulus is proportional to the yarn’s bending rigidity and inversely proportional to the cube of the loop length, with a pure number in front that depends on nothing else. A single fabric cannot test that; a series can.

Knit the same yarn at five loop lengths and measure the initial modulus of each. If the exponent on the loop length comes out near three, the form is right. If it comes out near one, the extension is being resisted by something proportional to a length rather than to a bending — friction at the contacts, most likely, which would say the elastic part is not the part being measured. If it comes out near five, something in the model’s dependence on the spacings is wrong.

The exponent is the discriminator and it does not need any absolute number to be known, which is what makes it the right test when the vertical scale is uncertain by a factor of a hundred and thirty.

Where the ladder goes next

The transverse behaviour, which is the other half of any extension and which does something a material would not: it changes sign. A jersey pulled along its courses gets slightly taller before it starts to get shorter, and the model says where the crossover is.

What links here

Computed from the collection rather than written here: the essays that point at this one.

Reads more easily once this is understood

Essays that name this one as worth reading first.

Shares its objects with

Essays naming at least two of the same things, that neither author linked.

Named objects

A flat tag is an object no other essay names yet.

AnisotropyBending bracketBending rigidityElasticaExtensibilityLoad-extensionLoop lengthSpecificationTenacity