Textile Structure
how cloth is put together
Concept

Yarn count — where it appears

A yarn's fineness, quoted as a mass per length or a length per mass depending on the system. Every one of the seven in use converts to every other exactly, and the diameter this collection computes from a count is a conditioned mass rather than a dry one.

Named by 15 essays across 3 fields — each of them below, with the objects they name alongside it.

The same thread count, twice. Two cloths with identical thread counts and different yarn. The count is the same number in both; the fraction of the surface the threads actually occupy is not, and that fraction is what thread count is usually taken to mean.

Thread count is not quality

It counts threads. It says nothing about how much of the cloth they cover, it can be inflated by counting plies, and it ranks fabrics in nearly the wrong order. The quantity it is mistaken for is cover factor, and that one is computable.

setting · Cover Six ways of saying how fine a yarn is. The same four yarns written in six count systems, all placed on one axis of tex. A direct system states mass per unit length and rises as the yarn coarsens; an indirect one states length per unit mass and falls. Both kinds are in daily use and neither says which it is.

The yarn count systems, and why there are several

Half the ways of saying how fine a yarn is get bigger as it gets finer and half get smaller. That is not carelessness — and one of the constants buried in the oldest rule of thumb turns out to be a measurement nobody wrote down.

setting · Count Where the twenty-eight comes from. The setting a cotton cover factor of 28 prescribes, and the setting at which the threads would cover the surface geometrically, against yarn count. They are one curve: the trade's scale is Peirce's diameter with the units taken out. Below them is the sett at which each weave actually jams, which is a fixed fraction of it.

Where the cover factor comes from

A cotton cover factor is threads per inch over the root of the count, and the scale says twenty-eight means a covered surface. The twenty-eight is not a convention: it is the reciprocal of Peirce's yarn diameter, and the trade's practical ceilings of fourteen and twenty-two fall straight out of it.

setting · Cover Every cloth at 150 grams. The counts and setts that all weigh 150 g/m² at a crimp of 7 per cent and a balance of 1. Hollow marks are past the jam — arithmetic rather than cloth. Among the 10 that can be woven the cover factor runs from 0.28 to 0.77, a factor of 2.77, and every one of them is the fabric the specification asked for.

What a fabric weighs

Every fabric is sold by its weight in grams per square metre, and the number is a sum of four products in which no term appears alone. One equation, four unknowns: a hundred and fifty grams describes an open coarse cloth and a close fine one, and the cover factors differ by a factor of nearly three.

setting · Weight The evenness a cotton yarn cannot be better than. Lay staple fibres down at random and count how many cross a plane: the count is Poisson, its variance is its mean, and the coefficient of variation of the mass per unit length is therefore 1/√n with no material and no machine in it. The lower curve is that floor. At 20 tex there are 118 fibres in the section and the floor is 9.93 per cent; at 5 tex there are 29 and it is 19.86. The upper curve is what a yarn spun at an index of irregularity of 1.35 actually measures, which is the floor times a constant — so the whole shape belongs to the counting and none of it to the spinning. The exponent is exactly −½ and is asserted as such rather than fitted to the curve.

The spread was never free

This collection has taken a yarn's irregularity off a delivery note and used it as an input. It is not an input. Counting the fibres in a cross-section puts a floor under it that no spinner can beat, and the floor is one over the square root of the count.

cloth · Variation A V-fastened tuft. A cut pile bound into its ground by V fastening, drawn in section. The pile end passes beneath 3 of the 6 ground picks and wraps 1 half-turn around them in all. The integrity criterion says the tuft is attached; how hard it is held is a different question with a different model behind it.

A chenille is a yarn that is already a fabric

A chenille yarn is a woven gauze cut into strips. Every structural question this collection asks about cloth can be asked about it — does it hang together, how many systems has it, what holds the pile in — and the answers are the same answers one level down.

fancy · Fancy yarn 20 tex, counted. The cross-section of a 20 tex cotton yarn, with every fibre in it drawn. The count is a division and nothing else: a 20 tex yarn spun from 0.17 tex fibre has 117.6 fibres crossing any plane through it, and the yarn is 14.0 fibre diameters across because n fibres packed at 0.6 fill a circle √(n/φ) times as wide. The arrangement is drawn on a lattice and is not claimed: real fibres are not on one, they migrate between the core and the surface as they run, and everything this collection says about a yarn's strength turns on their doing so.

How many fibres make a thread

Every number in this collection began with a diameter, and a diameter is not a measurement — it is a count of fibres, divided. Once the division is written down, three quantities that had nothing to do with each other turn out to be the same number.

setting · Assembly Folding improves the evenness and not the yarn. Two independent singles of 15% give a fold of 10.61%, because independent errors add in quadrature: an improvement of exactly √2. The floor falls by exactly √2 as well, from 9.93 per cent to 7.02, because the fibre count is 2 times what it was. So the index of irregularity is unchanged — 1.511 before and 1.511 after, equal to twelve figures, not merely close. Folding does not make a better yarn; it makes a bigger one, and every part of the improvement is the part the count was going to give anyway. What folding does buy is elsewhere: the torque, the surface, and where the grip comes from.

A two-fold yarn is not twice a single

Folding halves nothing. It improves a yarn's evenness by exactly √2 and lowers the floor that evenness is measured against by exactly √2, so the index of irregularity comes out identical — folding does not make a better yarn, it makes a bigger one.

setting · Ply A designed thin place does not get worse and an accidental one does. The thinnest place a yarn reaches, against how many gauge lengths of it are tested, for a slub yarn and for a randomly uneven yarn of the same 36.3% coefficient of variation. The slub's floor is its base count — 89% of its mean — and it is a horizontal line, because a designed variation has a stated minimum and never goes below it. The random yarn's minimum is an order statistic and falls without limit: 56% over 10 lengths and 22% over 30000. So the advantage is not a number but a function of how much yarn is being asked about, running from 1.6× to 4.0×. What the curve cannot show is the break itself: a yarn's strength at a thin place is not proportional to its linear density there, and the conversion needs a fibre model.

A designed thin place is kinder than an accidental one

A slub yarn and a badly spun one can carry exactly the same coefficient of variation, and the number tells a mill nothing about which it has. The designed variation has a floor — its base count, and it never goes below it — while the accidental one has a tail that falls further the more yarn is tested. At 36% CV the slub bottoms at 89% of its mean and the random yarn reaches 24%, and the gap widens from 1.6 to 3.7 times as the test grows from ten gauge lengths to ten thousand.

fancy · Fancy yarn A bouclé at an overfeed of 0.80. A core of 20 tex running straight, an effect thread of 30 tex delivered 80 per cent faster than it, and a binder of 15 tex over the top. The surplus effect thread has nowhere to go but into loops, and their size is not a free choice: a semicircular loop of radius r consumes r(π − 2) of surplus, so at one loop every 3 mm the radius is 2.10 mm — 0.70 of the spacing. The yarn's resultant count is 89 tex and the sum of its three components is 65, because the effect enters multiplied by its own overfeed. What the drawing cannot show is the load path: the core and the binder are at the yarn's own length and the effect thread is longer than the yarn, so a pull on the yarn is carried by 39 per cent of its mass and the loops stay slack.

A fancy yarn has its crimp in the wrong thread

A bouclé is made by feeding an effect thread eighty per cent faster than the core it wraps, so the yarn contains more thread than it is long — which is crimp by this collection's own definition. A cloth's crimp is in the thread that carries the load, so removing it is the cloth's first extension. A bouclé's surplus is in a thread that carries nothing, so pulling the yarn stretches the core at once and the loops never straighten. Thirty-nine per cent of the yarn's mass is on the load path, and the other sixty-one is decoration.

fancy · Fancy yarn The depth belongs to the fibre and the density to the yarn. Over a 5-fold range of cotton yarn counts, the hair layer's decay length moves by 6.2% and its population moves by 2.37-fold against a square root of 2.24. Both follow from one cancellation. The shell's share of the section is 4d_f/D, the migration period is a fixed number of yarn diameters, and λ = ½(kD)(4d_f/D) — the yarn's diameter divides out and leaves λ = 2k·d_f, a length belonging to the fibre alone. The density has no such cancellation and goes as √(nφ)/L. The two small departures visible here are not two facts: they are the shell's second-order term, and they are the same number to the last bit of a double. The consequence for a spinner is that a coarse yarn is hairier and its hairs are no longer, so everything that depends on reach — pilling, prickle, a printed edge — is decided by the fibre and not by the count.

Hairiness goes as the root of the count

A coarse yarn is hairier than a fine one and everybody knows it. What nobody has said is that its hairs are no longer — the count and the length obey different laws, one rises as a square root and the other does not move at all, and the identity behind both was asserted on this site for an entirely unrelated reason.

setting · Hair layer A bouclé cloth jammed at its loops and at its count, overfeed 0.8. Sections across 36 mm of plain-woven cloth in a bouclé of 89 tex — a 20 tex core, a 30 tex effect overfed 80% with loops every 3 mm, and a 15 tex binder — drawn to scale. The loops stand 2.10 mm off the core, so the yarn's outline is 4.43 mm across while the diameter its count implies is 0.352 mm, 12.6 times smaller. Jammed at the outline the cloth takes 1.13 ends a centimetre and weighs 20 g/m²; jammed at the count, 14.2 and 252 g/m². What the drawing cannot show is where between the two a real cloth jams, which is how far its loops interleave with their neighbours'.

A bouclé is set by its loops and weighed by its count

A bouclé yarn has two diameters: the one its count implies, a third of a millimetre, and the one its loops occupy, over four millimetres. A cloth jams where its yarns touch, and a bouclé's yarns can touch at either — so its jamming sett is a bracket twelve and a half times wide, from 1.1 to 14 ends a centimetre. The weight follows the count wherever in that bracket the cloth is set, which puts the open end at a twelfth of the close end's weight with four per cent of its area covered by yarn.

fancy · Fancy yarn How much of a yarn has to hang before it stops snarling. The tension a 20 tex cotton needs to stay straight, at each twist level, expressed as the length of the yarn's own weight that would supply it. The two curves are the two ends of the stiffness bracket: the fibres free to slide, and the section coherent. At 800 turns a metre they are 1.9 metres and 616. Anybody who has let go of a twisted yarn knows which of those is right, which makes this one of very few places where the bracket can be closed from the everyday end. Both rise as the square of the twist, because the torque does and the criterion is quadratic in it.

How much yarn has to hang

The tension a thread needs to stay straight, converted into the only unit anybody has an intuition for: the length of the yarn's own weight. One bound says two metres and the other says six hundred, and everybody who has handled thread already knows which.

setting · Twist Three rules for how hard to fold a yarn, and which one the trade uses. For 2, 3, 4 folds of 20 tex cotton at 800 turns a metre: the ratio that makes the fold's surface helix angle equal its singles', the ratio that sets the fold's net moment to zero, and the ratio the trade actually folds at. The surface rule is 1/√n exactly, because a fold of n singles is √n times the diameter. The torque balance is C/(B+C), which for this fibre is 0.201 and is the same at every count, every twist and every number of folds. The trade's brackets contain the surface rule in all three rows and the torque balance in none of them.

A cabled yarn is a fold of folds

The rule that sets a fold's twist is one over the square root of the number of components. Apply it twice and a cabled yarn's three twist levels are fixed by two integers — which is a prediction with no free constants, about a class of yarn the trade quotes no rule for at all.

setting · Ply The flattening a knitted fabric asks for, against its own tightness. Every point is a solved fabric — 18 of them, over five loop lengths, three relaxation states and three counts — and the vertical axis is the closest its adjacent courses come, in diameters. The values run from 0.707 to 0.839 and they fall on one curve against the tightness factor, which is the model's only dimensionless group. That is what makes this a structural requirement rather than an arithmetical accident of one example: a tighter fabric demands a flatter yarn, by an amount its own tightness decides, and nothing about the fibre or the count enters except through that group.

The count that decides how flat

A knitted fabric's demanded flattening is a function of its tightness factor, and a tightness factor is the square root of a count over a loop length. So a coarser yarn at the same loop is flatter — which is a prediction about a spinner's choice that nobody has framed as one.

setting · Count

Named alongside it

The objects these essays reach for when they reach for this one.

SpecificationFibre countPacking factorCoefficient of variationPlyYarn diameterCover factorFancy yarnFibre finenessPopulationSettBending rigidity

All concepts