Textile Structure
how cloth is put together
Concept

Anchorage — where it appears

How hard a structure holds a thread that is being pulled out of it, which the capstan equation turns into a ratio at a stated friction coefficient. The capstan form of it compounds along the gripped length rather than adding up contact by contact, which changes every absolute answer and no ordering.

Named by 4 essays across 2 fields — each of them below, with the objects they name alongside it.

What a tuft's wrap is worth at μ = 0.3. The two classical ways of binding a cut pile into its ground, with the holding force each provides as a multiple of the tension applied to the free end. The model is the capstan equation and the friction coefficient is measured rather than derived, so the ratio between the two matters and neither absolute number should be quoted alone.

How a tuft is held

A V-fastened tuft and a W-fastened tuft are both attached, and the integrity criterion returns the same verdict for both. One of them is specified for hotel corridors and the other sheds. What separates them is not a topological property at all — it is an angle, and it needs a coefficient somebody has to measure.

fancy · Pile What holds a thread in a seam. A cloth thread inside a seam allowance, drawn past the crossings that grip it, with the capstan's factor at each. The tension falls by that factor at every crossing, so the grip is exponential in the crossing count and the count is what the weave decides. Beyond the thread's own strength the thread breaks rather than slides, and the rest of the allowance holds nothing.

What holds a thread in a seam

A seam fails in two quite different ways, and the one the trade worries about is not the stitches breaking. It is the cloth's own threads sliding out of the weave beside the seam — and what resists that is friction at the crossings, accumulating multiplicatively, so a satin gives a seam a thousandth of the grip a plain weave gives it.

applied · Seams A 5.0 mm cotton pile standing and crushed. A pile tuft standing 5.0 mm proud and the same tuft pressed flat, which turns it through a right angle over its own length and so bends it to a radius of 3.18 mm. Its fibres are strained 0.187% — an order of magnitude below the smallest strain anybody has measured a recovery at, so this file declines to say what fraction comes back. The consequence is that a crushed carpet is not held down by its fibres: what keeps a pile flat is the tufts leaning on one another and the friction where they touch. Below 0.469 mm the fibre does enter its measured range, which is the difference between a carpet and a velvet and has nothing to do with what either is made of. What the drawing cannot show is the neighbouring tufts, which are the mechanism.

A crushed pile is not held down by its fibres

A carpet flattened under a foot has bent its tufts through a right angle, which sounds severe and is not: the fibres in a five-millimetre pile are strained under two tenths of a per cent, an order of magnitude below the smallest strain anybody has measured a recovery at. What holds a pile down is the tufts leaning on one another.

fancy · Pile Hair, nap and pile are one construction at three settings. 12 mm of sheeting at one pair of scales, carrying each of this site's three protruding surfaces — 50 pixels to the millimetre along the cloth and 29 off it. They are the same object, fibre standing off a cloth with a density, a length and an anchor, and they differ by 9-fold in density and 4.8-fold in length. What actually separates them is the third line under each name: hairs are held by whatever the twist happened to leave, a nap by the float it was pulled from, and a pile by a W or a V through three picks. Only the last two were chosen. The pile's tufts are drawn in the float colour because that is what a woven pile is, and they are all one length because a blade cut them; the hairs and the nap are drawn as measured quantities and their lengths come from the population's own exponential. Each panel clips to the room it has, and the densest of the three is drawn at the model's own number rather than thinned.

Hair, nap and pile are one construction

This site now has three surfaces made of fibre standing off a cloth, arrived at from three different directions and in three different fields. They are the same object at three settings, and what separates them is not what they are but how much of them anybody decided.

fancy · Pile

Named alongside it

The objects these essays reach for when they reach for this one.

CapstanFrictionPileTuftBending rigidityCanopy criterionCanopy depthCarpetCloth integrityElastic recoveryFibre finenessFirmness

All concepts