Textile Structure
how cloth is put together
Concept

Staple length — where it appears

How long the fibres in a spun yarn are, which is a property of the growing or the cutting rather than of the polymer. It sets how much of each fibre can be gripped rather than broken, and it is the correlation length of a yarn's mass along its own length; a filament has none at all.

Named by 13 essays across 7 fields — each of them below, with the objects they name alongside it.

How much of a 20 tex yarn's unevenness survives being woven. Weaving averages, and the averaging is a square root. A patch of cloth 3 mm across contains 7.2 warp threads and as many picks, each contributing its own mass independently, so the patch's coefficient of variation is 3.53% against the yarn's 13.4% — a reduction of 3.8-fold. The rule at the top is the yarn's own figure. The curve steepens past the staple length, where a patch starts to contain independent samples along each thread as well as across them, and the second regime is the one a large area of cloth is judged in.

A cloth cannot be more even than its yarn

It can be very much more even than its yarn, and by exactly the square root of the threads in view. Which raises a question the fineness argument left open — and the answer is that at a fixed cloth weight the count cancels out entirely.

pattern · Variation The pressure a 30° twist puts on its own fibres. A twisted yarn squeezes itself. Every fibre under tension at a radius pulls inward with sin²θ of its tension per unit length, and integrating outward to the surface — where the pressure is zero by definition, because there is nothing outside to push against — gives p(r) = ½σ(cos²θ(r) − cos²α) in closed form. At a surface angle of 30° the pressure on the axis is 12.5 per cent of the core fibre's own axial stress and the mean over the section is 5.65 per cent of it. The shading is that closed form and the curve is the same function plotted; the shape is what matters, and its one uncompromising feature is the zero at the edge. The outermost fibres are held by nothing, which is why a yarn is hairy, why a surface fibre is the one that comes away on a finger, and why singeing changes a yarn's behaviour out of all proportion to the mass it removes.

A tuft is set so it cannot untwist

A cut pile tuft has a free end, and at a free end the pressure holding the twist is zero. So the twist runs out over a computable length, the tuft opens, and a carpet loses its appearance long before it loses any material.

fancy · Pile A 20 tex cotton yarn and the fibre standing off it. 6 mm of a 20 tex ring-spun cotton yarn with the hair population this site computes from the yarn's own count and staple — 0.89 hairs per millimetre, every one of them drawn. The two axes are at different scales and have to be — the yarn is 167 µm across and its hairs reach past a millimetre, so a picture at one scale is either a bare line or a black rectangle. Along the yarn is 99 pixels to the millimetre and off it is 74, a 1-fold exaggeration of the vertical. Lengths are drawn from the exponential the model predicts, mean 621 µm; the rules mark one, two and three millimetres with the count a hair-counting instrument reports at each, and the hairs crossing each rule in the drawing are the ones those counts are about. At the yarn's own surface the long hairs cover 1.1% of the space beside it, which is why the picture is mostly gap. Nothing here is the short population, which carries most of the protruding length and none of the reach; and a hair reaching past the room the canvas has is drawn to the edge of it, so the very longest few are shortened in the drawing and not in the arithmetic.

A yarn's surface is a distribution

This collection has computed where a cloth stops, and every one of those numbers is a statement about yarn. What a finger, a plate, a droplet or a ray of light actually meets first is a population of fibre ends standing off the yarn — and it is a population, with a count and a length, rather than a layer with a thickness.

cloth · Hair layer The two diameters of a 20 tex yarn. The pressure inside a twisted yarn is zero at its surface, so the outermost fibres are held by nothing but their own buried ends and some of them stand off as loops and ends. A yarn therefore has two diameters: a mass diameter of 167.1 µm, which is a volume divided by a length and is the one every other calculation of cover uses, and a contact diameter of 217.1 µm, which is what a neighbouring thread, a finger or an air stream meets. The gap is a hair layer of 25.0 µm on each side and it is measured, not computed — nothing here predicts hairiness. What is computed is the consequence, and it is 29.9% of the diameter every cover factor is built from.

Singeing is the cheapest change to a surface

Pass a cloth through a flame fast enough and it loses under one per cent of its mass. What it loses is the part of itself that was doing most of the touching, and lustre, friction, printability, pilling and measured cover all move at once.

finishing · Hairiness 20 tex, counted. The cross-section of a 20 tex cotton yarn, with every fibre in it drawn. The count is a division and nothing else: a 20 tex yarn spun from 0.17 tex fibre has 117.6 fibres crossing any plane through it, and the yarn is 14.0 fibre diameters across because n fibres packed at 0.6 fill a circle √(n/φ) times as wide. The arrangement is drawn on a lattice and is not claimed: real fibres are not on one, they migrate between the core and the surface as they run, and everything this collection says about a yarn's strength turns on their doing so.

How many fibres make a thread

Every number in this collection began with a diameter, and a diameter is not a measurement — it is a count of fibres, divided. Once the division is written down, three quantities that had nothing to do with each other turn out to be the same number.

setting · Assembly Where a 20 tex yarn breaks, against how much was clamped. A tensile test clamps a length of yarn and pulls until the thinnest section between the clamps gives. So a yarn's strength is a minimum, and a minimum depends on how many independent tries the sample contains. The tries are not sections — a plane can be taken anywhere — but staple lengths, because two planes closer together than one fibre share most of their fibres. At 28 mm staple a 100 mm specimen holds 3.6 independent tries and a 500 mm one holds 17.9, and the longer test reads 11% lower. The spread is not fitted either: it is the evenness floor at 118 fibres times an index of 1.35, which is 13.4%.

A yarn breaks at its thinnest place

A tensile test does not measure a yarn. It measures the worst section between the clamps — so evenness and strength are one measurement taken twice, and the number of independent tries in a specimen is set by the length of a fibre.

mechanics · Assembly The pressure a 23° twist puts on its own fibres. A twisted yarn squeezes itself. Every fibre under tension at a radius pulls inward with sin²θ of its tension per unit length, and integrating outward to the surface — where the pressure is zero by definition, because there is nothing outside to push against — gives p(r) = ½σ(cos²θ(r) − cos²α) in closed form. At a surface angle of 23° the pressure on the axis is 7.6 per cent of the core fibre's own axial stress and the mean over the section is 3.61 per cent of it. The shading is that closed form and the curve is the same function plotted; the shape is what matters, and its one uncompromising feature is the zero at the edge. The outermost fibres are held by nothing, which is why a yarn is hairy, why a surface fibre is the one that comes away on a finger, and why singeing changes a yarn's behaviour out of all proportion to the mass it removes.

What grips the end of a fibre

A twisted yarn squeezes itself, and the squeeze holds the fibre ends in. Write the slip and the break out side by side and the fibre's own strength cancels — and so does the load on the yarn — leaving a gripped length that depends on fineness, friction and the twist and on nothing else.

mechanics · Migration Both halves of the twist curve, at 28 mm staple. The falling curve is obliquity and is exact — the affine end of the bracket, computed from the helix and nothing else. The rising curve is cohesion and is the half this collection had declined: a fibre end is gripped by friction under the twist's own radial pressure, the fibre's strength and the yarn's load cancel out of the comparison, and what is left is a critical length that depends on the twist through a pure function of the angle. Their product has a maximum at a twist factor of 3101 — 693 turns per metre at 20 tex, a surface angle of 20° — which is inside the range spinners use. The scale of the rising curve is fitted, through a contact efficiency of 0.05, and moving it moves the optimum; what it cannot move is the ordering between two staples or two fibres, which is what the two claims made from this figure are about.

The other half of the twist curve

This collection computed the falling half of the strength–twist curve exactly and declined the rising half as being out of reach. It is not out of reach. With the grip derived rather than assumed, the optimum comes out at a twist factor — and the same twist factor at every count, which is why the trade quotes twist factors at all.

setting · Twist The depth belongs to the fibre and the density to the yarn. Over a 5-fold range of cotton yarn counts, the hair layer's decay length moves by 6.2% and its population moves by 2.37-fold against a square root of 2.24. Both follow from one cancellation. The shell's share of the section is 4d_f/D, the migration period is a fixed number of yarn diameters, and λ = ½(kD)(4d_f/D) — the yarn's diameter divides out and leaves λ = 2k·d_f, a length belonging to the fibre alone. The density has no such cancellation and goes as √(nφ)/L. The two small departures visible here are not two facts: they are the shell's second-order term, and they are the same number to the last bit of a double. The consequence for a spinner is that a coarse yarn is hairier and its hairs are no longer, so everything that depends on reach — pilling, prickle, a printed edge — is decided by the fibre and not by the count.

Hairiness goes as the root of the count

A coarse yarn is hairier than a fine one and everybody knows it. What nobody has said is that its hairs are no longer — the count and the length obey different laws, one rises as a square root and the other does not move at all, and the identity behind both was asserted on this site for an entirely unrelated reason.

setting · Hair layer A shot effect needs a fibre with no ends. The peak-to-trough contrast of an eight-end satin in sheeting as the cloth is turned in the light, against how much hair stands on it. Bare, the contrast is 37 to one, because a straight thread's normals lie in the plane across it and the warp and the weft therefore reflect a quarter turn apart. A hair layer does two things and only one of them matters: it blocks, which takes the same factor off the peak and the trough and changes no contrast at all, and it returns light of its own, which is added to both. A hair population points every way at once, so its return has no azimuth in it — and adding a constant to both ends of a ratio of 37 destroys the ratio. On an ordinary spun cotton the contrast is already down to 5.1 to one; singeing recovers it to 29; raising kills it outright at 1.00. The one fibre with no staple length is the one fibre with no fibre ends, and every shot fabric ever woven is made of one.

A hair layer veils a highlight

An eight-end satin's shine swings by a large factor as the cloth is turned, because a straight thread's normals lie in the plane across it. Put fibre ends on it and the swing disappears — not because the hairs block the light, which changes no contrast at all, but because they return light of their own that has no direction in it.

weaves · Shine Compacting a spinning triangle moves one instrument and not the other. What happens to each hairiness reading when a 20 tex cotton yarn is spun compact instead of ring, as a percentage of the ring value. The total falls by 8% and the long hairs by 65%, a ratio of 8.3. The asymmetry is a prediction rather than a fit. Compaction removes ends that were unbound over a long stretch of the spinning triangle, which is the long population and nothing else; the short population is untouched, and it carries about 88% of the length the integrating instrument is adding up. So the instrument that sees everything barely moves and the one that sees only the tail collapses. The model under-states the fall in the total, because compaction certainly does something to the short population too and nothing here models it — the direction of that error is stated and it is the conservative one.

The spinning triangle decides the hair

A ring frame converges a flat ribbon of fibres to a round yarn, and for the length of that convergence the fibres at the ribbon's edges are held by nothing. Everything a spinner can do about hairiness is done in that triangle, and the two hairiness instruments respond to it by wildly different amounts.

setting · Twist The fibre pieces in one cut tuft. A cut-pile tuft 3 mm tall on a 1 mm base, spun from a 25 mm staple, with a seeded sample of its fibre pieces drawn along the yarn: 16 pass under the binding pick and 2 lie wholly in one leg, between a fibre end and the cut tip. Across a whole pile the loose share is 21.9 per cent of the pieces and 7.0 per cent of the fibre. What the drawing cannot show is the twist, which holds the loose pieces by friction and is what they escape from.

A blade leaves loose fibre in every tuft

The account of hair, nap and pile ended on a clean claim: a blade collapses a population's length to one value, so a cut pile has no tail and nothing in it reaches past the rest. The tips are one length. The fibres are not. A tuft cut from staple yarn is a length of yarn with fibre ends scattered along it, and every fibre end that lands in a leg leaves a piece between it and the blade that nothing in the draft holds — a fifth of the pieces in an ordinary wool carpet, none in a filament one.

fancy · Pile Which loose pieces in a cut tuft are free at once. A cut-pile tuft 12 mm tall on a 2 mm base, spun from a 90 mm staple, with a seeded sample of its fibre pieces drawn along the yarn and the tip's untwisted run-out, 5.6 mm, shaded down each leg. 22 pieces pass under the binding pick; of the 9 that lie wholly in one leg, 3 lie wholly inside the run-out, where the twist presses on nothing, and are free at once; the other 6 reach down into twisted yarn and are held until wear opens the twist further. What the drawing cannot show is the run-out's edge, which is a fall in pressure rather than a line.

A cut pile sheds in two stages

Every cut tuft of staple yarn holds loose fibre pieces that nothing anchors but the twist, and at the tip the twist holds nothing: it runs out over a length the grip arithmetic already gives, five and a half millimetres in a wool carpet yarn. A loose piece lying wholly inside that run-out is free the day the carpet is laid; one reaching below it is held until walking opens the tip's twist. So the reservoir drains in two stages, and the pile height decides the split. A velvet sheds everything it will ever shed at once. A twelve-millimetre wool carpet sheds a fifth of its reservoir at once and four fifths later. A shag sheds almost nothing at first and fourteen per cent of its fibre eventually.

fancy · Pile

Named alongside it

The objects these essays reach for when they reach for this one.

Fibre countHairinessFibre finenessFibre migrationHair layerCapstanContact efficiencyCritical lengthEscape fractionFrictionHelix anglePile

All concepts