Poisson field — where it appears
Named by 2 essays across one field — each of them below, with the objects they name alongside it.
A missing end is a fault the length of the piece
A broken end and a mispick are the same size of accident — one thread — and they condemn areas that differ by a factor of thirty. The ratio is the aspect ratio of the piece and nothing else, which makes it a fact about how cloth is made rather than about what went wrong.
A fault map is worth most where the grade is worst
A cutter who knows where the faults are can slide the marker or break it, and only one of those is worth anything: sliding a rigid tiling to its best offset recovers two panels of fifty-five, and letting the tiling break recovers twelve — two panels in five more cloth from the same roll. The gain has a maximum in the middle of the range, because there is nothing to recover on a clean bolt and nothing to be done on a ruined one. And the prediction the grading essay made, that a map is worth most on a bolt whose faults are bunched, is false: bunching leaves clear runs for the blind cutter too.
Named alongside it
The objects these essays reach for when they reach for this one.
Condemned areaFaultMarker efficiencyMeasurementSpecificationBroken endSelvedge