Textile Structure
how cloth is put together
Concept

Criterion — where it appears

This collection's exact test for whether a draft describes one cloth, read as strong connectivity of the above-and-below relation. It is decidable and has no tolerance, and what it cannot see is friction, which is why pricing its failures needs a contact force.

Named by 5 essays across 2 fields — each of them below, with the objects they name alongside it.

How much too thick a round section is, and what reconciles it. For each cloth in this site's table: the thickness a circular Peirce section predicts, the thickness a cloth of that construction measures, and the force per crossing that makes the flattened model reproduce the measurement. The over-prediction runs from 36% to 81%. The reconciling forces span a factor of 4.6 across a table whose counts span a factor of six, and every one of them is of the order of the contact force the cloth's own warp tension supplies — which is what makes this a model rather than eight fitted parameters. What the rows cannot show is that the thicknesses are trade figures for cloths of these constructions rather than measurements of these particular fabrics, so what is being read is an ordering.

The criterion gets a force

This site's integrity criterion decides exactly whether a draft describes one cloth, and has one standing limitation: it says a tuft bound under one pick and a tuft bound under three are both attached, and it is right, and one of those is a carpet while the other sheds. What separates them needs a normal force in a fabric that is not under tension — the number the rung that computed it recorded as unavailable, and the one a thickness gauge now supplies.

fancy · Integrity The pressure a wetting generates in a close cloth. The pressure a sheeting's yarn is compacted at, against how far its fibres have swollen. Below 9.29% the cloth accommodates the swelling as a shape change and the pressure is nothing; above it there is no state at constant thread length, so the yarn must be compacted back to a diameter the geometry can hold and van Wyk's cube law prices it. At cotton's 20% it is 7.80 MPa. The other route out — stretching the threads until they are long enough to wrap the swollen partner — needs 9.1% of strain against a breaking strain of 6.6% computed from the site's own tenacity and modulus, so the thread would break first and there is one route rather than two. What the curve cannot show is its own uncertainty: van Wyk's constant runs from 0.003 to 0.011, so the height of this curve is known to a factor of nearly four and its shape is not.

A wetting supplies the force the criterion needs

This collection's criterion decides whether a cloth is one cloth, exactly, and cannot see friction — so pricing what it misses needed a contact force, and the only one available had a measured fabric thickness inside it. A wetted close cloth generates one from geometry alone, and it lands within seven per cent of the measured route's answer.

fancy · Integrity A plain weave with one end missing. A plain weave on the left and the same cloth with one end broken and not pieced up on the right, drawn over 2 repeats so that the fault can be seen as the cloth has it: absent from every repeat, for the whole length of the piece. The picks that were held by the missing end are now held by whatever is on either side of it, so the longest float across the ends goes from 1 to 3 end widths — measured in the width the cloth had rather than in the narrower repeat, because the place the end used to occupy is still there. Every pick still changes side somewhere, so the cloth holds together — which is what happens in 55% of all the ways a four-by-four draft can lose an end.

What a missing end does to the weave

Every four-by-four draft there is, with each of its four ends taken away in turn: ninety-one thousand cloths, and not one of them falls into layers. What happens instead is worse, and the criterion has never had to report it before.

weaves · Integrity The float a point fault gives a weave, over every draft there is. Every four-by-four draft that describes one cloth — 22,730 of them — laid out as 8 ends by 8 picks, with each intersection of its repeat reversed in turn and the longest float that produces kept. There are two answers and no others. 90 drafts hold the fault to a float of 3; 22,640 — 99.6% of every weave there is — hand it a float of 7. The mechanism behind the second number is that a reversal at a binding point joins the two floats on either side of it, so a weave with runs separated by single binding intersections gives a single mistake the sum of two of its own floats. The 90 that escape are the drafts whose floats are short and evenly spaced — the plain weave and the ribs — which is not the class of weave the trade recommends for hiding a fault.

Which weave hides a fault

The trade says a busy weave hides a mistake. Every four-by-four draft there is was laid out as cloth and given every wrong lift it could have, and ninety-nine in a hundred hand that single mistake a float of seven — because a reversal does not lengthen a float, it joins two.

weaves · Float A crepe's search has 4,416 winners and the surface separates them. All 5,040 rearrangements of the base this collection's crepe is built on, scored by how unevenly their crown line is spread over the repeat. 4,416 of them reach the correlation floor, which is the criterion the crepe was chosen by — so that criterion is not choosing, it is tying, and the search takes the first of a very large set. 28 of the rearrangements have a perfectly even surface, the bar at zero, and 16 of those are also at the correlation floor. The crepe actually drawn, marked, sits at 0.236 — the thirty-eighth percentile, better than most and not at the floor. The improvement is available, it costs nothing, and no criterion this collection had could see it.

A crepe is flat in its draft and not in its surface

A crepe weave is chosen by pushing the draft's correlations as flat as they will go. That criterion turns out to tie: on the base this collection uses, 4,416 of the 5,040 rearrangements reach the floor. Sixteen of them additionally spread their crown line perfectly evenly — and the crepe actually drawn is not one of the sixteen.

weaves · Texture weaves

Named alongside it

The objects these essays reach for when they reach for this one.

CatalogueContact forceEnumerationFaultFloat lengthFrictionIntegrityWeave matrixAppearanceBroken endCapstanCensus

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