Textile Structure
how cloth is put together
Concept

Coating — where it appears

A film spread over a fabric, supported wherever it lies on a thread and unsupported over every hole. Which of the two gives first decides how the composite fails, and the answer moves with the sett rather than with the film's own strength.

Named by 7 essays across 4 fields — each of them below, with the objects they name alongside it.

What a coating does to seven properties of a cloth. Seven quantities computed for uncoated fabric, with what each becomes once a film bonds the crossings: the shear a cloth will take — changed in kind; tear strength — changed in kind; the loss from a hole — reversed; wicking — halved; air permeability — reversed; the sett's effect on strength — unchanged in sign; areal weight — added to. Two of the seven reverse outright. The table is a collection rather than a computation, and each row points at the essay whose result it qualifies.

Coated is a state

Almost every mechanism in a woven cloth assumes threads that can move relative to one another — the bias is a mechanism because the crossings rotate, a tear runs because threads gather, a cloth takes a hole without minding because the neighbours pick the load up. A film bonds the crossings. Two of those results reverse outright, the rest change in kind, and a fabric's quoted numbers almost never say which state they belong to.

finishing · Coating A coating over the hole it has to bridge. Four warp ends of 40 tex seen end-on at 20 per centimetre, with a 120 micrometre PVC film over them. The film is supported everywhere it lies on a thread and unsupported over the 252 micrometre clear span between them, which is the same span at every hole in the repeat. The film's thickness is drawn to scale against that span; the bulge is exaggerated. At 20 MPa the film will hold at most 381 bar, which is a bound and not a prediction.

A coated cloth fails at its holes

Spread a film over a fabric and it is supported everywhere it lies on a thread and unsupported over every hole. A woven cloth's holes are all the same size — exactly, because a repeat is a repeat — so the film has one span to bridge and the fabric has a burst pressure rather than a distribution. A nonwoven gives it a distribution, and a membrane fails at the largest hole it meets.

applied · Coating What holds a tuft in, in newtons. The withdrawal force of a V-fastened and a W-fastened tuft over the reported range of yarn-on-yarn friction, on a duck ground with 1.00 N in each pick. Each is the friction at the wraps, with each wrap's share dragged around every wrap between it and the pulled end — a capstan series rather than a single factor. W runs from 0.79 to 6.84 N and V from 0.15 to 0.41. Both are an order of magnitude below what a carpet is specified at, which is a finding about carpets rather than about the model. What the chart cannot show is the backing, which is where the rest of a tufted carpet's anchorage comes from.

What holds a tuft in, in newtons

The pile ladder computed a tuft's anchorage as a capstan ratio and said, correctly, that a ratio was all it could offer. A ratio multiplies a tension and there was no tension anywhere on this site. There is one now — and the answer, put beside what a carpet is actually specified at, falls short by a factor of three.

fancy · Pile Four ways of closing a muslin, and the floor under all of them. The same muslin at four states: as woven, calendered to 3:1, wetted so its fibres swell by 20 per cent, and with the channel between its threads gone altogether. Air permeability at 100 Pa falls from 3505 mm/s to 8.1 — a factor of 434 — and stops there. The last figure is not a cloth with no holes in it: it is a cloth whose only remaining path is through the threads, which are sixty per cent fibre whatever is done to the construction. That number is the floor, it is a property of the yarn, and no sett reaches it. Note that the two middle routes are not in a fixed order: a 3:1 calender closes more than this swelling and a 2:1 calender closes less, so which is the stronger depends on how far each is taken.

A windproof cloth is at its yarn's limit

Windproof is a threshold on air permeability, and it is the only fabric specification on this site that the construction cannot settle. No weavable sett of an ordinary shirting yarn gets within two hundred times of it, layering the cloth barely helps because the resistance is inertial rather than viscous, and the floor set by the yarn's own porosity lands on the same order as the threshold with a fivefold bracket around it.

applied · Permeability What it takes to bury a cloth's crowns. The film needed to fill a fabric's surface to a stated level, for plain, 2/2 twill, satin 8 in sheeting, at a film density of 1.2 g/cm³. Burying the crowns entirely takes 187 g/m² on the plain, 186 g/m² on the 2/2 twill, 183 g/m² on the satin 8 — and the ordering is not the ordering of roughness. A weave with plateaux presents a wide flat top that a thin film covers, and a weave with points presents crowns with valleys between them that the film has to fill before it is continuous anywhere. Every gram spent filling a valley is a gram that is not bridging a hole, which is where a coated cloth fails.

A coating fills the crowns before it bridges the holes

A film does not sit on a cloth, it fills it — and the volume it has to supply to reach a level is the integral of one minus the bearing area. Burying an ordinary sheeting's crowns takes 185 grams a square metre, which is more than the cloth weighs, and the whole of the weave's influence is spent in the first ten of them.

finishing · Coating A print is as sharp as the hairs are long. How far ink carried on a hair reaches past a printed edge into the unprinted cloth, for sheeting in three states. A hair lying near the edge bridges as far as its own length, and the number bridging at least a distance x is (n_A λ/2)e^(−x/λ) — an exponential with the population's own decay length — so the visible feather is a quantile rather than a mean, taken here at one hair per 50 millimetres of edge. As woven the feather is 1911 µm, which is a fifteenth of an inch and coarser than any screen worth engraving: the cloth cannot hold better than 7 lines to the inch whatever the printer does. Singeing caps it at the flame's own reach of 200 µm and takes the cloth to 63 lines — a factor of 10, bought by burning off a fraction of one per cent of the cloth's mass. That is why singeing comes before printing and why nobody prints a fine figure on a raised cloth.

A print is as sharp as the hairs are long

Singeing comes before printing in every finishing route ever written down and the reason given is that the cloth must be smooth. The reason is sharper than that: ink carried on a fibre end reaches as far as the fibre is long, so the feather on a printed edge is a quantile of a hair population and nothing else.

finishing · Coating What a film 80 µm deep touches on a sheeting. The part of a sheeting that a film reaching 80.3 µm below the crowns touches, in plan over two repeats each way, for a 2/2 twill and a 2/2 hopsack. On the 2/2 twill the film is separate patches, and joins at 161 µm, an add-on of 116 g/m² of the 186 that flattens the face; on the 2/2 hopsack the film is separate patches, and joins at 161 µm, an add-on of 116 g/m² of the 186 that flattens the face. The twill's crowns join edge to edge in its matrix and not on the cloth, because two neighbouring ends are separated by the gap the sett leaves.

A ridge in the matrix is not a ridge in the cloth

A 2/2 twill's crowns join into a ridge across its matrix and a 2/2 hopsack's are islands, so a thin film on the twill should be continuous from the first gram and on the hopsack a scatter of patches. Laid on the cloth's own surface rather than its matrix, both films are patches — the twill's ridge crosses from one end to the next, and between two ends lies the gap the sett leaves. On a sheeting both join at the same depth, 116 grams into the 186 that flatten the face, and the weave's whole influence is a window of up to 27 grams at the setts where it opens at all.

cloth · Surface

Named alongside it

The objects these essays reach for when they reach for this one.

FilmSettAdd-onBearing curveCover factorCrown lineWickingAbrasionAir permeabilityAreal weightBiasBurst pressure

All concepts