Concept

Areal density — where it appears

Mass per unit area of cloth, which every fabric is sold by and which one equation in four unknowns cannot be inverted to recover a construction from. Two cloths of the same weight can differ in every other respect, so a weight is a budget rather than a specification.

Named by 14 essays across 6 fields — each of them below, with the objects they name alongside it.

The same thread, on the loom and off it. One warp end in section over eight picks, drawn twice at the same scale. The thread is the same length in both panels; in the lower one more of that length is in the bends, so the cloth it spans is shorter. Nothing has been lost — the length has moved into the crimp. The thread's thickness and the height of its bends are drawn larger than scale so the interlacing is legible; the two panels' spacings are not.

The cloth gains weight by losing size

Mass per unit area is the number a fabric is bought by, and it rises by eleven per cent when a cloth relaxes — with nothing added, nothing removed and no thread changed. The quantity is a ratio, and finishing moves its denominator.

finishing · State
What a balanced cloth wastes under pressure. The fraction of a balanced fabric's fibre that is along for the ride, in a stress field of each ratio. A closed cylinder is exactly two to one — the ratio of the two areas the pressure acts on — so a balanced cloth reaches its limit around the circumference with the axial system at half its capacity, and a quarter of the fibre is doing nothing.

An inflated cylinder wants an unbalanced cloth

Balance is a virtue in almost every other cloth. Under pressure it is a defect with a size — a closed cylinder carries exactly twice the stress around its circumference as along its axis, so a balanced fabric reaches its limit in one direction with a quarter of its fibre doing nothing at all.

applied · Membrane
Yarn per needle, by structure. Wale spacings of yarn per needle position, at one loop length. A knitted loop is 4.30 of them — Munden's constant, measured rather than derived — a float across one needle is exactly one, and a tuck is taken as a stated multiple of a loop. Everything else follows by counting, so the percentages beside the bars are not estimates.

What a tuck costs

A knitted loop is about four wale spacings of yarn and a float across one needle is exactly one, so replacing a knit with a miss removes three quarters of a loop. That much is a count. What it does to the fabric's size is not, and this essay is careful about which is which.

knits · Stitch notation
Every cloth at 150 grams. The counts and setts that all weigh 150 g/m² at a crimp of 7 per cent and a balance of 1. Hollow marks are past the jam — arithmetic rather than cloth. Among the 10 that can be woven the cover factor runs from 0.28 to 0.77, a factor of 2.77, and every one of them is the fabric the specification asked for.

What a fabric weighs

Every fabric is sold by its weight in grams per square metre, and the number is a sum of four products in which no term appears alone. One equation, four unknowns: a hundred and fifty grams describes an open coarse cloth and a close fine one, and the cover factors differ by a factor of nearly three.

setting · Weight
How much a cloth can give back. Relaxation shrinkage against how much of the warp crimp the loom took out, with the area shrinkage above it and the ceiling drawn across. The ceiling is the crimp itself, read as c/(1+c): it is all the length there is to give, and no tension reaches past it.

A dimension without a state

Every essay in this field turned on the same omission, and collecting them produces a result none of them had on its own — the quantities a cloth's geometry determines divide cleanly into those a finishing works can move and those it cannot, and the division is not the one the vocabulary suggests.

finishing · State
A tear breaks threads or pulls them out. The grip a cloth has on a thread at the tip of a tear, against the sett, with the thread's own strength drawn across. Below the line the thread slides and the yarns group, which is the trade's explanation of why a loose weave tears well; above it the thread breaks where it is and grouping never happens. The essay that asked it could not compute this: it needed a friction, and the fancy weaves supplied one.

A tear stops where the grip is

This collection asked whether a loose weave tears better and had to answer that the geometry could not say — it supplies a grip count and a slack, and neither is a force. The fancy weaves brought a friction. With it the question has an answer — a cloth's threads slide up to a computable sett and break above it — and a ripstop grid has a bound with no free parameter in it.

applied · Damage
The two calculations a yarn's stiffness admits. A bundle of 9 fibres bent with the fibres free to slide and with them locked together. Free, the rigidity is the sum of the fibres': 0.00141 N·mm² for a 30 tex cotton yarn. Locked, it is the fourth power of the yarn's own diameter: 0.689. The ratio is the fibre count over the square of the packing factor, 490, and nine fibres are drawn where the yarn has 176. What the drawing cannot show is where a real yarn sits between them, which is a question about friction rather than about fibre.

A yarn's stiffness is a bracket, not a number

Two calculations are available for how stiff a thread is in bending, and both are exact. One treats the fibres as free to slide and gives the sum of their stiffnesses; the other treats them as locked and gives a solid rod. They differ by the fibre count, which for an ordinary cotton yarn is a factor of five hundred — and no measurement of the fibre narrows it by anything at all.

mechanics · Yarn stiffness
The weight against the constant nobody has measured. Areal weight against the stitch-density constant, for four two-bed structures at 20 tex on a 0.35 cm loop with a tuck taken as 1.15 of one. Every line is exactly straight through the origin, because the weight is tex times yarn per repeat times k_s divided by the area of the repeat and there is no fitted constant anywhere in that division. The three vertical rules are the only measured values this site has — Munden's published k_s for plain single jersey in three relaxation states — and none of them is the right value for any structure drawn here. Where each line should be read is the whole of what is missing.

The constants do not compose

The yarn in a knitted structure is a sum of what each element takes, exactly, over structures nobody has measured. The size the structure relaxes to is not a sum of anything — and the whole gap between the two is one number per structure, which would cost forty-five fabrics each to obtain.

finishing · Knit geometry
How much of a 20 tex yarn's unevenness survives being woven. Weaving averages, and the averaging is a square root. A patch of cloth 3 mm across contains 7.2 warp threads and as many picks, each contributing its own mass independently, so the patch's coefficient of variation is 3.53% against the yarn's 13.4% — a reduction of 3.8-fold. The rule at the top is the yarn's own figure. The curve steepens past the staple length, where a patch starts to contain independent samples along each thread as well as across them, and the second regime is the one a large area of cloth is judged in.

A cloth cannot be more even than its yarn

It can be very much more even than its yarn, and by exactly the square root of the threads in view. Which raises a question the fineness argument left open — and the answer is that at a fixed cloth weight the count cancels out entirely.

pattern · Variation
One yarn, two packing factors. The same 20 tex cotton yarn — the same fibres, the same count, the same mass per metre — drawn at a packing factor of 0.45 and of 0.75. Its diameter is 192.9 µm in one and 149.5 µm in the other, a difference of 29.1%, because a diameter goes as the inverse square root of the packing. Every cover factor, every jammed sett and every hole in this collection went through that number, and the site's value of 0.6 was obtained by inverting a rule published for cotton yarns at one particular twist. Nothing here models how packing moves with twist; the figure is here to show the size of the thing that has been held constant.

The diameter was quoted at one twist

Every diameter in this collection came from a packing factor of 0.6, and that number was got by inverting a rule published for cotton yarns at one particular twist. Here is what moves if it is wrong by the width of the range real yarns occupy — and which single quantity does not move at all.

setting · Sett
What the third dimension changes, and by how much. Every number the planar loop model produced, beside the same number with the climb in it, for a 20 tex cotton jersey at a 3.5 mm loop. Four of the five fall and none moves by as much as four per cent, which is the useful part of the answer: the planar model was not wrong about a jersey, it was a projection of the right curve. What it could not have at all is the quantity that is not on this list — the force through the fabric's thickness, 7.81 mN a stitch, which a model with no thickness has nowhere to put.

The constants say nothing about thickness

Munden's two constants give a knitted fabric's wale and course spacings from its loop length alone, and the tightness factor collapses every fabric's shape onto one curve. Neither reaches the third dimension: two knits that are one knit in plan are two different thicknesses.

finishing · Knit geometry
A knit's warmth is its thickness, and a rib's thickness is a machine setting. Thermal resistance in tog for a 20 tex cotton at a 3.5 mm loop, for a plain jersey and for a one-by-one rib at four bed gaps. The bar is the lower bound and the mark beyond it is the upper — Wiener's two bounds on a mixture of fibre and air at the fabric's own fibre fraction, which is 26.6% for the jersey and falls to 8.9% for the widest rib. The jersey holds 0.088 tog and the rib at five diameters 0.334 — a factor of 3.8, bought entirely by opening the beds. Every one of these is a small fraction of the still-air layer that clings to a garment's outside, which is worth about 1.2 tog on its own.

How dense a knitted fabric is

A fabric's areal weight is what the trade specifies and it says nothing about bulk. Divide it by a thickness and the answer is a density — 0.40 grams a cubic centimetre for a jersey, a quarter of the fibre it is made of — and that quarter, the share of the volume that is not air, is the number every other property follows.

setting · Weight
A knit's warmth is its thickness, and a rib's thickness is a machine setting. Thermal resistance in tog for a 20 tex cotton at a 3.5 mm loop, for a plain jersey and for a one-by-one rib at four bed gaps. The bar is the lower bound and the mark beyond it is the upper — Wiener's two bounds on a mixture of fibre and air at the fabric's own fibre fraction, which is 26.6% for the jersey and falls to 8.9% for the widest rib. The jersey holds 0.088 tog and the rib at five diameters 0.334 — a factor of 3.8, bought entirely by opening the beds. Every one of these is a small fraction of the still-air layer that clings to a garment's outside, which is worth about 1.2 tog on its own.

A knit is warm because of where its yarn is not

Warmth is a thickness of still air, and until a knitted fabric had a thickness there was nothing to compute. It has one now, and the answer is that a rib's warmth is a machine setting: opening the beds from two diameters to five nearly trebles the fabric's resistance without changing a gram of yarn.

applied · Insulation
What the count moves at 150 grams. Plain cotton cloths that all weigh 150 g/m², from 20 tex to 200 tex, with sett and crimp solved together. Thickness, which is two yarn diameters, rises 3.16 times across the line; the cover factor of each thread system falls 2.75 times; their product with one plus the crimp is the same number at every count, because the weight has fixed the volume of fibre and the count only decides whether it is laid out flat or stacked up.

A weight fixes the fibre and not the drape

Every plain cotton cloth of 150 grams a square metre contains the same fibre, and the count decides only how it is arranged. Across the counts that can make that weight, thickness rises threefold and cover falls in step, so their product holds still. The bending length does something stranger: at the bound a woven yarn actually sits near, it depends on neither the count nor the weight, only on the fibre.

setting · Weight

Named alongside it

The objects these essays reach for when they reach for this one.

SpecificationLoop lengthCloth thicknessBending rigidityCover factorCrimpPeirce's geometryRelaxationSettSolid fractionTightness factorTwo-bed

All concepts