Theme

The thread: Measured, not claimed — page 6

Page 6 of 6 of the essays on this thread.
What flattening a section does to the ratio of the two stiffnesses. C/B is 2G/E for a circular section, because a circle's polar second moment is exactly twice its flexural one. A flattened section has two different flexural moments — easy about the long axis, hard about the short one — and the polar moment is still their sum, which is the perpendicular axis theorem and holds for any section whatever. So a flattened thread has three constants rather than two, and the multiplier on C/B depends on which way it is being bent. At the 0.78 a knitted fabric's own geometry demands, the easy direction multiplies the ratio by 1.322 and the hard one by 0.804. A knitted loop bends in the easy direction, so the collection's headline ratio is a lower bound for a yarn in cloth. Mechanics and drape

The section that changes both stiffnesses

A thread's two rigidities are in the ratio 2G/E, and that is a fact about a circular section: a circle's polar second moment is exactly twice its flexural one. A yarn in cloth is not circular, so a yarn in cloth has three constants rather than two — and the ratio a whole ladder rests on is a lower bound.

A graduated stocking knitted in 8 equal steps. The pressure a stocking knitted as 8 steps of fixed girth puts on the illustrative leg from ankle to knee, against the smooth graduation from 20 mmHg at the ankle to 12 below the knee that it approximates. The steps are equal in height. The rings, the pressure change along each step, run 4.79, 3.96, 3.32, 2.82, 2.43, 2.12, 0.87, 0.92 mmHg from the ankle up; the largest is 4.79 mmHg. Cloth doing a job

A stepped stocking should step most at the ankle

A graduated stocking asks for a girth that rises smoothly up the leg, and a knitting machine gives it one girth, then the next. Over each step the tube is one size on a stretch of leg that is not, so it presses harder at the top of the step than at the bottom, and the pressure up the leg is a saw-tooth. Each tooth is the leg's change of girth across the step divided by the girth squared — so it is largest just above the ankle, where the leg is thinnest and widening fastest. Eight equal steps leave a ring of 4.8 mmHg there; eight steps spaced by the leg's own shape leave 2.7 everywhere.

A ball knitted in rounds, count by count. The stitch count of each round of a ball knitted outward from one pole in 40 rounds, from the pole to the equator, in the fully relaxed state, against the count a sphere asks for. Increasing 5 at a time it reaches 65 at the equator, increasing on rounds 1, 2, 3, 5, 6, 7, 8, 9, 10, 12, 14, 16; Increasing 10 at a time it reaches 60 at the equator, increasing on rounds 3, 5, 8, 11, 15. What the chart cannot show is where round the ball the increases fall, which spirals or stacks them and is a choice of the pattern. Knits and other structures

A ball knitted in rounds washes the other way

A ball can be knitted sideways in gores or outward from one pole in rounds, and both have to follow the same sine. But a gore counts its meridian in stitches and its circumference in rows, and a round counts them the other way, so the loop's aspect sits underneath one construction and on top of the other. A wash raises the aspect — and closes a gored ball's ruffled poles while it opens a round-knitted ball's.

The advantage of spreading a blind set, against the repeat. The number of distinct surfaces a blind set keeps when its cells are spread one to a thread, over the number it keeps when they are gathered into a block, against the size of the repeat: 4 blind, 1.512 at 4, 1.254 at 5, 1.129 at 6, 1.064 at 7, 1.032 at 8, 1.008 at 10, 1.002 at 12; 8 blind, 1.080 at 8, 1.020 at 10, 1.005 at 12. Sampled from forty thousand surfaces at each point. The dashed curves are the closed form — each thread the set misses must interlace on its own, which fails once in 2^(n−1) — and the sampled points sit on them from six threads up; at four and five the form overstates, because a thread the set does touch can still fail there. At four by four spreading keeps half as much again; at eight, a few per cent; at twelve, nothing to speak of. What the chart cannot show is whether an eye can tell the surfaces apart. Pattern and colour

A blind cell costs half the cloths at any real repeat

At four by four, spreading a blind set over more threads kept half as many cloths apart again as gathering it. At eight by eight the same rule holds, and it is almost nothing: three per cent for four blind cells, eight for eight. The reason is one factor. A blind set's surfaces are the count's bound, 2^(n² − b), times the chance that every thread it misses interlaces on its own, and at eight threads a thread lies all on one face once in 128 tries. So shapes that touch the same number of threads tie exactly, whatever their rectangles; every blind cell costs very nearly half the catalogue; and by twelve threads the arrangement is free.

What a spin leaves in a cotton load, against the drum's speed. The water left in a 68 mm load of cotton sheeting in a drum of 250 mm radius, as a share of the load's dry weight, against the spin speed. Read with the fibre holding its swollen water, the spin leaves 51% at 1,000 rpm and 41% at 1,400, and no speed takes it below 30%, the volume the fibre grew by. Read with the fibre holding only its regain, as the earlier account of a wet cloth did, the same spin leaves 16% at 1,400 and the floor is 8.5%. What the chart cannot show is the water a drained channel keeps as a film and as rings at the fibre contacts, which the model takes as nothing and which lifts every point on both curves. What cloth is

A spin leaves the water a fibre swelled by

A washing machine's spin is a centrifuge, and it drains a cloth in the order its pores give up water: the holes between the yarns at a few g, the channels inside the yarns only far enough from the drum's wall, and the water inside the fibre never. That last reservoir is not the regain. A soaked cotton fibre holds the volume it swelled by — 30 per cent of its dry weight, three and a half times the regain — and it is the floor under every spin speed there is.

The crest, and the loop that ought to be holding it open. One course of the solved fabric in plan, with the two half periods that meet at a crest marked. They approach to 0.003 mm — 0.018 of a yarn diameter — and run within that of one another for more than a millimetre of arc. The ring drawn between them is the needle loop of the next course, which is what holds them apart in a fabric and what this model does not have: the interlacing was declared a point, and a point holds nothing open. The same omission is what makes the course's writhe zero and its linking number zero, so three of this collection's findings are one defect seen three ways. Mechanics and drape

What a contact model would have to do

This ladder has measured a fabric that does not fit and priced nothing. The repair is a different class of problem from the one this collection solves, it costs fifteen per cent of the yarn in a stitch, and it buys back four results — which is an unusually good return for a piece of modelling.

How high a strip wicks a finite supply, in four rooms. The steady height of the fine pore system's wicking front against the supply of sweat at the strip's foot, both on logarithmic scales, for a sheeting-weight strip in four rooms. Below each room's capacity the height is the supply over twice the evaporation from each face, a line of slope one that no cloth property moves. It meets the room's drying ceiling at the capacity — 43 g/(m·h) at 20 g/m²·h, ceiling 1064 mm; 100 g/(m·h) at 100 g/m²·h, ceiling 501 mm; 204 g/(m·h) at 400 g/m²·h, ceiling 255 mm; 400 g/(m·h) at 1500 g/m²·h, ceiling 133 mm — and past it the strip takes no more. The marks along the bottom are four sweat rates from rest to hard work, fed from a contact patch 50 mm tall. Cloth doing a job

A sweating cloth wicks as high as the room can dry it

Every wicking height so far has had its foot in unlimited water. Skin is not a reservoir: it supplies sweat at a rate, and a cloth fed at a rate stands where the supply equals what its faces lose — the supply over twice the evaporation, with no pore, fibre or thickness in it. The cloth decides only when it has had enough, and it says so all at once: the holes between its yarns stay empty until the fine pores are carrying ninety-nine per cent of what they can.

How likely one staple length of yarn is to be weaker than a tension, under three laws. The probability that one independent try — a staple length of a 20 tex cotton yarn — is weaker than a tension, on a logarithmic scale, with the tension as a fraction of the yarn's 500 mm breaking load. Three laws are drawn, a normal, a lognormal and a Weibull, each fitted to reproduce the same two tensile tests at 100 and 500 mm exactly. Near the breaking load, where a tensile test samples at about one chance in 18, they lie together. At one chance in 1.4×10⁸, where a warp of 4,000 ends by 1,000 metres samples, they are far apart: at the back shaft's 52 per cent the three give normal 1.3×10⁻⁷, lognormal 1.1×10⁻¹¹, Weibull 4.0×10⁻⁶ per try. What the chart cannot show is which of the three a real yarn follows, which no tensile test can decide. Setting and geometry

A warp breaks in a tail no tensile test reaches

A 500 mm tensile test is the weakest of about eighteen staple lengths of yarn. A warp of four thousand ends by a thousand metres is the weakest of a hundred and forty million, and an end breaks wherever one of them is weaker than the shed's tension. Three strength laws fitted to the same two tensile tests agree within five per cent at every gauge a tester can clamp, and disagree by a factor of 375,000 on how many ends a warp will break at the back shaft.

Every even eight-end shading, by the depth it sinks. All 1,001,574,400 eight-end shading chains whose middle tones float at most three and whose centre floats at most two, counted exactly and sorted by the interlacing rate of their worst tone, with the depth that tone sinks below the extremes on a sheeting at 0.50 N. 0.50000: 10.6 per cent, 42.8 µm; 0.53125: 0.9 per cent, 46.4 µm; 0.56250: 4.3 per cent, 50.1 µm; 0.59375: 1.0 per cent, 53.3 µm; 0.62500: 17.1 per cent, 56.7 µm; 0.65625: 2.3 per cent, 59.7 µm; 0.68750: 13.3 per cent, 62.6 µm; 0.71875: 2.3 per cent, 65.2 µm; 0.75000: 37.8 per cent, 68.1 µm; 0.78125: 0.2 per cent, 70.4 µm; 0.81250: 3.0 per cent, 72.7 µm; 0.87500: 3.0 per cent, 76.7 µm; 0.93750: 2.1 per cent, 80.5 µm; 1.00000: 2.1 per cent, 83.6 µm. The largest class is 0.7500, with 37.8 per cent of the family. Beside each share is the share the walk's first hundred thousand chains gave it, which reached 6 of the fourteen classes and put 27.9 per cent at the floor against a true 10.6. Pattern and colour

Only one start in six can reach the shallowest shading

The even eight-end shadings — middle tones floating three, centre floating two — were too many to walk, and a walk stopped at a hundred thousand chains found six depths. Split at the centre, the family can be counted whole: 1,001,574,400 chains in fourteen depths, every one of them decided by the centre alone. Only 816 of the 5,040 ways to begin a shading can still reach the shallowest ramp, and a designer who wants it has to choose the first two parts before anything else.

Two stiffnesses, one bracket, and a ratio that does not move. The bending and torsional rigidities of a cotton yarn against its count, each drawn at both ends of its own bracket, on a logarithmic scale. The four curves are two parallel pairs: the torsional bracket is the bending bracket exactly — the fibre count over the square of the packing factor, 327 at 20 tex — so the vertical gap between the two bounds is the same for both deformations. The consequence is the useful part: the ratio C/B is 0.250 at the top of the bracket and at the bottom and everywhere between, because the polar second moment of a circle is exactly twice its flexural one. Mechanics and drape

A fabric reads its own bracket four ways

A yarn's stiffness is unknown to a factor of three hundred, and no laboratory measurement has closed it. Four unrelated everyday observations — a snarl, a knot, a flattened yarn and a cloth's own thickness — all say the same thing about which end of it a yarn sits at.

Where an air arch first wrinkles under snow over the whole span. A semicircular air arch 4 m across, pinned at both feet, of a tube 200 mm across at 50 kPa, under snow over the whole span; beside it, unrolled from the left foot to the right, the share of the tube's wrinkling budget πpr³/2 spent at each section when the first wrinkle forms, with the thrust's part, N·r/2, shaded darker. The first wrinkle forms 25° above the right foot, at 167 N per metre of span, where the moment of 60.2 N·m compresses the inside of the curve and the thrust is 336 N; there the thrust has taken 21 per cent of the budget. Judged by its moment alone the arch would carry 218. Cloth doing a job

An air arch pays for its thrust out of its pressure

An inflated tube bent into an arch was expected to start with its inside wall pulled differently from its outside, and to wrinkle where that difference and the load's moment combined worst. It does not: a curved tube is pulled along its length at exactly the straight tube's pr/2, all the way round. What the arch spends its pressure on instead is the thing every arch exists to make — its own thrust — which takes a fifth of the wrinkling budget at the haunch of a shelter arch under snow and more than half on a tight one.

A 50 tex yarn after 1, 4, 8 dips into a fibre that fills. The cross-section of a 50 tex cotton yarn after 1, 4, 8 twenty-second dips, each fibre shaded by the dye fixed at its distance from the surface, on one scale of shade for all three. The fibre's room for dye is finite and one dip at the bath's strength fills 20% of an empty fibre's, so each dip meets less affinity near the surface than the last and carries its dye further in. after 1 dip: ring 14% of the radius deep, the surface 20% full; after 4 dips: ring 18% of the radius deep, the surface 59% full; after 8 dips: ring 24% of the radius deep, the surface 83% full. With room to spare every dip would leave the first dip's 14%. The share is assumed; nothing here measures it. After the loom

A fibre that fills dyes deeper with every dip

Dipped eight times, a ring-dyed yarn is darker than after one dip but no deeper — if its fibres have room for all the dye they are offered. They do not: every dip's dye occupies some of the fibre's room, the next dip meets less affinity near the surface, and dye that is taken up less travels further before it is taken. How much further depends on one number the dip arithmetic never needed — the share of an empty fibre's room one dip fills — and eight dips turn that number into a ring 1.15 times deeper at five per cent and 1.68 times deeper at twenty.

Two stiffnesses, one bracket, and a ratio that does not move. The bending and torsional rigidities of a cotton yarn against its count, each drawn at both ends of its own bracket, on a logarithmic scale. The four curves are two parallel pairs: the torsional bracket is the bending bracket exactly — the fibre count over the square of the packing factor, 327 at 20 tex — so the vertical gap between the two bounds is the same for both deformations. The consequence is the useful part: the ratio C/B is 0.250 at the top of the bracket and at the bottom and everywhere between, because the polar second moment of a circle is exactly twice its flexural one. Mechanics and drape

Where this collection's thread model now stands

A thread has two stiffnesses and a thickness, and this collection's model has had one stiffness and no thickness. Both were added in one phase, neither reached the question it was built for, and the accounting is worth more than either.

How tall a skin contact can be before its cloth floods. The tallest patch of skin contact whose cloth keeps the holes between its yarns empty, against the sweat rate, on logarithmic axes, for a sheeting-weight cloth in rooms evaporating 20, 100, 400, 1500 g/m²·h from each face. The patch evaporates from its outer face only and hands its surplus to the free cloth above, which spreads it until the fine system's capacity; so a contact floods when it is taller than 98.9% of that capacity over the surplus. Below the room's own evaporation rate no contact of any size floods. In an ordinary room a run floods any contact taller than 247 mm and hard work any taller than 90 mm. Cloth doing a job

Wicking borrows drying area from the cloth that is not touching

A shirt is fed with sweat across the whole of the skin it touches, not at the foot of a strip. Through its own thickness the cloth could pass sweat a hundred thousand times faster than a body makes it, so a patch pressed flat never lacks capacity; what it lacks is drying area, because it can give water to the room only from its outer face. Pressed flat everywhere, it floods as soon as the sweat exceeds the room's evaporation — light work, in an ordinary room. With free cloth above the contact, wicking carries the surplus to faces that are not touching, and the sweat decides how much area it needs: three times the contact's at a run, whatever the contact's size.

All themes