Series

Shafts — the series

6 essays on one idea, from the one that introduces it to the one that assumes the rest.
  1. The draft for 2/2 twill, as a loom holds it. The 2/2 twill written the way a weaver writes it: the threading above, saying which shaft each end hangs on; the lifting plan to the right, saying which shafts rise on each pick; and the cloth below, which is not copied from the weave but produced by running those two against one another and then checked against it.

    How many shafts a draft needs

    Every quantity this site has counted so far is a property of the cloth. This one is a property of the loom — the number of distinct columns in the matrix — and it is very probably the strongest single predictor of which of the twenty-two thousand four-by-four drafts anybody ever wove.

    part 1 · weaves
  2. A 2/2 threading, run out to three widths. The same four shafts threaded for repeats of increasing width. The threading line runs up and back down; the harness never grows, and the number of ends it carries is bounded by the loom's width rather than by its shafts.

    The harness does not grow

    Nearly every account of a loom says the shaft count limits the repeat. It limits the repeat of a straight draw, and of nothing else — a reversed twill on ninety-six ends weaves on the same four shafts as the twill it was made from, and the ratio grows without bound.

    part 2 · fancy
  3. The draft for herringbone, as a loom holds it. The herringbone written the way a weaver writes it: the threading above, saying which shaft each end hangs on; the lifting plan to the right, saying which shafts rise on each pick; and the cloth below, which is not copied from the weave but produced by running those two against one another and then checked against it.

    What a dobby stores

    A pattern chain does not store picks. It stores lifts — the distinct sets of shafts a draft ever raises — and for most drafts worth weaving that number is very much smaller than the number of picks, which is the second half of the reason a wide repeat is affordable.

    part 3 · fancy
  4. Heddles per shaft: stripe. The threading of a narrow satin stripe on a broad plain ground, over a warp of 1,200 ends. Each bar is one shaft and its length is the heddles on it. The draft needs 10 shafts however they are loaded; the heaviest carries 500 and the lightest 25, a factor of 20.0. Spending 20 shafts instead brings the heaviest down to 100.

    Where the heddles go

    A draft says how many shafts it needs and says nothing about how the ends divide between them. On a satin stripe over a plain ground the two ground shafts carry twenty times what the stripe shafts do — and the only cure is to spend shafts, which turns the threading into an allocation problem with an exact answer.

    part 4 · fancy
  5. The harness a strain budget buys. How many shafts stay inside a 1.0 per cent warp-strain budget, against the clear shed opening the loom needs at the reed: 12 mm gives 43, 16 mm gives 36, 20 mm gives 28, 24 mm gives 21, 30 mm gives 13, 36 mm gives 7, 44 mm gives 1. The shed's tangent enters the strain squared, so the opening is much the strongest thing a loom builder controls.

    The harness has a depth

    Why does a dobby carry sixteen or twenty-four shafts rather than two hundred? The usual answers are about the mechanism — how many jacks a box can drive, how many hooks a dobby has — and they are real limits that are not the binding one. A stated tolerance on warp strain is a stated distance from the fell, and a stated distance is a whole number of shafts. One per cent buys thirteen.

    part 5 · fancy
  6. Three places a mistake can be made, and three shapes it leaves. A loom holds a design in three separate objects, and a single mistake in each of them produces a fault of a completely different size — not because the mistakes differ, but because of how many intersections each object controls. On a 50 m piece of muslin 1500 mm wide, holding 396,000,000 intersections: one end drawn on the wrong shaft is wrong at every pick for the whole length, 110,000 of them; one pick made in the wrong shed is wrong across the whole width once, 3,600; and one shaft tied wrongly to one treadle is wrong wherever that shaft's ends meet that treadle's picks, which is everywhere — 6,187,500, or 1.6% of the cloth. The ratio between the extremes is 1719 to one, and the largest of the three is the one nobody sees happen, because every thread is exactly where it should be.

    Three mistakes and the shape each one leaves

    A loom holds a design in three separate objects, and one error in each of them is the same size of error. What they cost differs by a factor of seventeen hundred — and the largest of the three is the one nobody can see happening, because every thread is exactly where it should be.

    part 6 · fancy

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