Series

Foundation weaves — the series

4 essays on one idea, from the one that introduces it to the one that assumes the rest.
  1. The 5-end satin. The 5-end satin on point paper, a filled square meaning the warp is on the face. Its longest float, its interlacing count and the number of separable cloths it describes were all counted from the matrix that drew it.

    Plain, twill and satin

    Three rules, and everything else in weaving is a variation on them. What separates the three is not appearance but one trade — how often a thread changes face against how far it runs when it does not.

    part 1 · weaves
  2. The 2/2 twill both ways round. The same twill stepped one end to the right and one end to the left. Every quantity the matrix can produce is identical for the two, so the direction is real in the cloth and invisible in the arithmetic.

    Twill direction, and how it is named

    The two twills are mirror images, and every quantity the matrix can produce is identical for both. What separates them is the yarn, which has a handedness of its own — and the angle, which is forty-five degrees only in a square-set cloth.

    part 2 · weaves
  3. A 2/2 twill reversed — the clean way. A twill reversed at intervals, generated from the rule rather than drawn. The count beside it is the number of adjacent ends that come out identical, which is the defect a weaver sees as a thick line at the seam and which no amount of looking at the grid announces.

    Broken and herringbone twills

    Reversing a twill is the cheapest way to turn a rule into a figure, and there are two ways to do it that look identical on paper. One of them leaves two adjacent ends doing exactly the same thing.

    part 3 · weaves
  4. How many twills there are. Every way of writing a twill on each repeat, reduced by the two operations that leave the cloth unchanged: starting on a different pick, and turning it over. What is left is the number a designer actually chooses between.

    How many twills a repeat admits

    Sixty-four ways of writing a twill on eight ends, and twenty-one twills. The difference is two operations that leave the cloth unchanged, and a catalogue that does not quotient by them is counting notations rather than fabrics.

    part 4 · weaves

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