Series

Firmness — the series

3 essays on one idea, from the one that introduces it to the one that assumes the rest.
  1. What an interlacing costs. Each weave's interlacing count beside the closest it can be set in the same yarn. The two run opposite ways, because a thread that changes face often has to bend often and a bend takes room.

    Interlacings and firmness

    Every time a thread changes face it has to bend, and a bend takes room. That one sentence decides how densely a cloth can be set, how firm it feels, and why the two run in opposite directions.

    part 1 · weaves
  2. Every thread's interlacings in an eight-end satin stripe on a plain ground. An eight-end satin stripe on a plain ground on point paper, with a bar under every end and beside every pick for the share of its crossings at which it changes face. The warp's fewest is 0.25 a crossing against an average of 0.88, and the weft's 0.83 against 0.86; the draft's single firmness number is 0.87. What the bars cannot show is the friction at each crossing, which turns a count into a grip.

    A cloth slips at its least-interlaced thread

    A weave's firmness is quoted as one number, the interlacings per crossing averaged over the whole repeat. A cloth does not fail on average. A thread pulled through a seam or out of a cut edge is held by its own crossings, the grip is exponential in them, and the thread with fewest goes first. In every four-by-four draft but plain weave some thread interlaces twice a repeat — the fewest possible — whatever the average says, and a satin stripe on a plain ground averages 0.87 while its satin ends grip at a seventh of the average thread.

    part 2 · weaves
  3. The selvedge turns of a 2/2 twill, 4 ends wide, from the left. A strip of 2/2 twill 4 ends wide over 8 picks, the first thrown from the left, with the weft's turn between every pair of picks drawn at the edge it reaches. 0 of the 8 turns are caught, where the edge end is on the other face on the second pick, and 8 slip. Across all its edge placements the weave catches every turn at 8 of 16. What the drawing cannot show is how far a slipped loop travels, which the beat-up and the weft tension decide.

    A selvedge holds only where its edge end changes face

    A shuttle weft goes out on one pick and back on the next, and between them it turns round the end at the edge. The turn is caught only if that end is on the other face on the second pick; otherwise the loop has nothing to wrap and slides off. Plain weave catches every turn at every width. A 2/2 twill catches them at half its widths, and only if the first pick is thrown from the right side. A 3/1 twill, a hopsack and every satin catch them nowhere, and of the 22,874 four-by-four drafts, 9,636 cannot hold a selvedge at any width at all.

    part 3 · weaves

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