The energy of a crossing against how flat it is
A sheeting at 0.20 N per crossing, with both sections taken to the same aspect ratio and the cloth's thread lengths held where the loom left them. The bending energy rises with flattening — Peirce's arc has radius D/2 and squashing the threads shrinks D, so the curvature rises faster than the angle falls. The compression energy rises as the square of the log aspect. The load's work falls as the cloth thins. Their sum is least at an aspect ratio of 1.44. At no load the same curve is least at exactly 1, and its slope there is positive, which is the whole reason a relaxed cloth keeps its threads round. What the plot cannot show is that only the compression term has a material constant in it, and that constant has no lower bound.
8 essays call
press-curve. The drawing above is what it returns with no arguments at all; every
call below passes it something, because a placement that passes nothing draws whichever
member of the family the generator happens to default to rather than the weave its essay
argues about.
Where it is called
Changing this generator changes every one of these figures.
A flattened thread is a record of a force
A yarn in cloth is not round, and this site has modelled the flattening for as long as this collection has run with the amount of it left as a number somebody chose. Give the section a stiffness and ask what the cloth prefers, and the answer is a circle — at every stiffness, for every balanced cloth in the table. Flattening does not happen by itself; it happens because something pressed.
Peirce and Kemp are one cloth at two moments
This site has run two thread sections side by side since the setting field was built — a circle and a flattened racetrack — and said honestly that they disagree and that the disagreement is the point. They are not rival descriptions of the same fabric. They are descriptions of the same fabric before and after something pressed it, and the difference between them is a pressure that can now be named.
The criterion gets a force
This site's integrity criterion decides exactly whether a draft describes one cloth, and has one standing limitation: it says a tuft bound under one pick and a tuft bound under three are both attached, and it is right, and one of those is a carpet while the other sheds. What separates them needs a normal force in a fabric that is not under tension — the number the rung that computed it recorded as unavailable, and the one a thickness gauge now supplies.
The stiffness with no lower bound
A yarn's bending rigidity lies between two derivable ends and the ratio is the fibre count — wide, but closed. Its resistance to being squashed out of round has an upper bound of the same kind and a lower bound of exactly nothing, because fibres free to slide resist a change of shape with nothing at all. That is why nobody could ever compute the aspect ratio of a flattened thread.
A calender spends the compression for good
Calendering was described on this site as moving a cloth from one thread-section model to another, which was right and had no number in it because the amount of the move was a free parameter. It is a pressure now — and the same nip setting turns out to give two cloths quite different treatments, because the force at a crossing is the pressure times the area a crossing owns.
The cloth that was called impossible
This site's own table of fabrics carries a note saying a real 44-end poplin has no solution in its geometry at all, and that the poplin row was therefore set at 32 ends. The cloth solves. What had no solution was the search — a bisection that treated a state it could not reach as evidence of having gone too far, and walked away from the answer every time.
The relaxed cloth's contact force
How hard two threads press on each other in a cloth that is not being pulled is the number this site's own integrity criterion has needed since its first essays, and the route to it was an elastica nobody had. A thickness gauge supplies it instead — because a cloth's thickness is a record of how flat its threads are, and how flat they are is a record of how hard they are pressed.
A finish spends a spread before it spends a mean
Every operation on a cloth multiplies the variation it inherits by its own log-slope, so an operation with an exponent below one makes the cloth more even and one above it makes the cloth less even. Calendering, which is bought for evenness, has an exponent of 1.4.