Textile Structure
how cloth is put together
Generator

Folding, and what it takes out of the singles

Folding, and what it takes out of the singles
Folding, and what it takes out of the singles. Two 20 tex singles spun at 800 turns per metre and folded the other way at 540 — a ratio of 0.675, which is the trade's own and is a measurement rather than a derivation. A single held at its ends and wound round its neighbour turns about its own axis once for every turn of the fold, so it is left with 260 turns per metre of its own: its surface fibres lie at 7.8° to its axis rather than the 22.8° they were spun at. Folding untwists. The short strokes are drawn at that residual angle; the two long curves are centre lines and are not the yarn — each strand is itself a bundle of 118 fibres, and the residual angle is what holds them.

Two 20 tex singles spun at 800 turns per metre and folded the other way at 540 — a ratio of 0.675, which is the trade's own and is a measurement rather than a derivation. A single held at its ends and wound round its neighbour turns about its own axis once for every turn of the fold, so it is left with 260 turns per metre of its own: its surface fibres lie at 7.8° to its axis rather than the 22.8° they were spun at. Folding untwists. The short strokes are drawn at that residual angle; the two long curves are centre lines and are not the yarn — each strand is itself a bundle of 118 fibres, and the residual angle is what holds them.

9 essays call ply-yarn. The drawing above is what it returns with no arguments at all; every call below passes it something, because a placement that passes nothing draws whichever member of the family the generator happens to default to rather than the weave its essay argues about.

Where it is called

Changing this generator changes every one of these figures.

Folding, and what it takes out of the singles. Two 20 tex singles spun at 800 turns per metre and folded the other way at 460 — a ratio of 0.575, which is the trade's own and is a measurement rather than a derivation. A single held at its ends and wound round its neighbour turns about its own axis once for every turn of the fold, so it is left with 340 turns per metre of its own: its surface fibres lie at 10.1° to its axis rather than the 22.8° they were spun at. Folding untwists. The short strokes are drawn at that residual angle; the two long curves are centre lines and are not the yarn — each strand is itself a bundle of 118 fibres, and the residual angle is what holds them. Cloth doing a job

A sewing thread is a different animal

It is folded, balanced, lubricated and finished, and every one of those is an answer to a requirement no weaving yarn has. The lubricant is the interesting one: it makes the thread sewable by lowering the friction that was holding its own fibres together.

 Folding, and what it takes out of the singles. Two 20 tex singles spun at 800 turns per metre and folded the other way at 540 — a ratio of 0.675, which is the trade's own and is a measurement rather than a derivation. A single held at its ends and wound round its neighbour turns about its own axis once for every turn of the fold, so it is left with 260 turns per metre of its own: its surface fibres lie at 7.8° to its axis rather than the 22.8° they were spun at. Folding untwists. The short strokes are drawn at that residual angle; the two long curves are centre lines and are not the yarn — each strand is itself a bundle of 118 fibres, and the residual angle is what holds them. Setting and geometry

Folding is untwisting

Wind two singles round each other and each one turns about its own axis once per turn of the fold. So a folded yarn's singles are not the singles that went into it, and at a folding ratio of exactly one half the two helices cancel.

 What the folding twist costs, which is almost nothing. Folding takes twist out of the singles, which loosens their grip on their own fibres, and puts a helix round the outside, which presses on them. The two nearly cancel. The lower curve is the singles' own contribution and it collapses as the folding twist rises; the upper is the pressure the fold supplies, in the same units; their product — the yarn's realisation — runs from 0.770 to 0.696 across the whole range, a spread of 7%. The shaded band is the folding ratio the trade uses, which is chosen for torque balance and not for strength. That the two questions can be separated is the result: a spinner is free to fold for balance precisely because strength barely notices. Mechanics and drape

The singles inside a ply are not the singles

Folding leaves each single with a fraction of its own twist, which should ruin its grip on its own fibres. It does not, because the ply's helix presses on the singles exactly as a single's helix presses on its fibres — and across the whole practical range the two very nearly cancel.

 Folding improves the evenness and not the yarn. Two independent singles of 15% give a fold of 10.61%, because independent errors add in quadrature: an improvement of exactly √2. The floor falls by exactly √2 as well, from 9.93 per cent to 7.02, because the fibre count is 2 times what it was. So the index of irregularity is unchanged — 1.511 before and 1.511 after, equal to twelve figures, not merely close. Folding does not make a better yarn; it makes a bigger one, and every part of the improvement is the part the count was going to give anyway. What folding does buy is elsewhere: the torque, the surface, and where the grip comes from. Setting and geometry

A two-fold yarn is not twice a single

Folding halves nothing. It improves a yarn's evenness by exactly √2 and lowers the floor that evenness is measured against by exactly √2, so the index of irregularity comes out identical — folding does not make a better yarn, it makes a bigger one.

 A bouclé at an overfeed of 0.80. A core of 20 tex running straight, an effect thread of 30 tex delivered 80 per cent faster than it, and a binder of 15 tex over the top. The surplus effect thread has nowhere to go but into loops, and their size is not a free choice: a semicircular loop of radius r consumes r(π − 2) of surplus, so at one loop every 3 mm the radius is 2.10 mm — 0.70 of the spacing. The yarn's resultant count is 89 tex and the sum of its three components is 65, because the effect enters multiplied by its own overfeed. What the drawing cannot show is the load path: the core and the binder are at the yarn's own length and the effect thread is longer than the yarn, so a pull on the yarn is carried by 39 per cent of its mass and the loops stay slack. Compound and figured cloths

A fancy yarn has its crimp in the wrong thread

A bouclé is made by feeding an effect thread eighty per cent faster than the core it wraps, so the yarn contains more thread than it is long — which is crimp by this collection's own definition. A cloth's crimp is in the thread that carries the load, so removing it is the cloth's first extension. A bouclé's surplus is in a thread that carries nothing, so pulling the yarn stretches the core at once and the loops never straighten. Thirty-nine per cent of the yarn's mass is on the load path, and the other sixty-one is decoration.

 A bouclé cloth jammed at its loops and at its count, overfeed 0.8. Sections across 36 mm of plain-woven cloth in a bouclé of 89 tex — a 20 tex core, a 30 tex effect overfed 80% with loops every 3 mm, and a 15 tex binder — drawn to scale. The loops stand 2.10 mm off the core, so the yarn's outline is 4.43 mm across while the diameter its count implies is 0.352 mm, 12.6 times smaller. Jammed at the outline the cloth takes 1.13 ends a centimetre and weighs 20 g/m²; jammed at the count, 14.2 and 252 g/m². What the drawing cannot show is where between the two a real cloth jams, which is how far its loops interleave with their neighbours'. Compound and figured cloths

A bouclé is set by its loops and weighed by its count

A bouclé yarn has two diameters: the one its count implies, a third of a millimetre, and the one its loops occupy, over four millimetres. A cloth jams where its yarns touch, and a bouclé's yarns can touch at either — so its jamming sett is a bracket twelve and a half times wide, from 1.1 to 14 ends a centimetre. The weight follows the count wherever in that bracket the cloth is set, which puts the open end at a twelfth of the close end's weight with four per cent of its area covered by yarn.

 Bouclé loops on 3 mm binder spacing at overfeeds of 30%, 80%, 150%, 300%, 500%. Loops of an overfed effect thread drawn to one scale, each between two binder points on a straight core, as the curve of least bending energy with its ends along the core. Overfeed 30%: 1.30 times its base in thread, 1.10 mm tall, a bell, against a semicircle of 0.79 mm; Overfeed 80%: 1.80 times its base in thread, 1.95 mm tall, a bell, against a semicircle of 2.10 mm; Overfeed 150%: 2.50 times its base in thread, 2.92 mm tall, overhanging, against a semicircle of 3.94 mm; Overfeed 300%: 4.00 times its base in thread, 4.83 mm tall, overhanging, against a semicircle of 7.88 mm; Overfeed 500%: 6.00 times its base in thread, 7.25 mm tall, overhanging, against a semicircle of 13.14 mm. The dashed arcs are the semicircles, drawn where they fit. What the drawing cannot show is the binder's own path and thickness, which the loop's feet are taken to sit exactly on. Compound and figured cloths

A bouclé loop is an elastica, not a semicircle

A bouclé's loop was taken to be a semicircle, and the semicircle cannot be right: it meets the core at a right angle, and at eighty per cent overfeed it is wider than the gap it stands in. Solved as what it is — a length of thread leaving the core along the core at two binder points — the loop is taller than the semicircle below an overfeed of two thirds and shorter above it, overhangs at 119 per cent and closes its neck at 559. Nothing of the fibre is in its shape, and the bouclé's jamming bracket at eighty per cent is 11.7 wide rather than 12.6.

 A bouclé loop at 80 per cent overfeed, pressed to four heights. One loop of a bouclé at 80 per cent overfeed on 3 millimetre binder spacing, drawn to scale at 100, 80, 50, 20 per cent of its free height, with the force it pushes back with beneath each. The pressed loop is the same elastica the free one is, with one condition added: at its apex the tangent is along the core again, so a pressed loop is two half-loops each with its rise prescribed. At 100 per cent it stands 1.95 millimetres and pushes with -0.00 millinewtons; At 80 per cent it stands 1.56 millimetres and pushes with 12.19 millinewtons; At 50 per cent it stands 0.97 millimetres and pushes with 10.02 millinewtons; At 20 per cent it stands 0.39 millimetres and pushes with 4.90 millinewtons. What the drawing cannot show is the stiffness bracket: the force is the lower bound, with the fibres free to slide. Compound and figured cloths

A loop has a maximum force in it

A bouclé loop pressed by its neighbour is the same elastica the free one is, with one condition added — at its apex the tangent lies along the core again, so a pressed loop is two half-loops with their rise prescribed and needs no contact solve at all. Solved, the eighty-per-cent loop pushes back with nothing at its free height, twelve millinewtons at four fifths of it, and two and a half at a tenth. A curve with a maximum in it is a softening spring, and the promise this account made — a cloth's position read from its beat-up — cannot be kept, because the whole bracket sits at one pressure.

 A 100-gram bouclé in section, with the depth to its own load path. A bouclé cloth of 100 grams a square metre in section: the core and binder along the bottom, carrying everything, with the effect thread's loops standing 0.31 millimetres above them. The cloth's surface is the loops and nothing else — its loop envelope is 12.6 times its count diameter — so a rubbing surface meets effect thread first and reaches the core only after that depth. 60.7 per cent of the yarn's mass is effect thread on no load path and 39.3 per cent is core and binder. What the section cannot show is the third dimension: the loops of neighbouring yarns lie between these and are pressed by them. Compound and figured cloths

A bouclé wears from the loops down

A cloth loses its strength before its mass, because a woven cloth's crowns are the very threads that carry the tension. A bouclé inverts it exactly. Its surface is its loops, its loops hang off a core that carries everything, and 61 per cent of its yarn is on no load path at all — so a rub takes three tenths of a millimetre of thread that does nothing before it reaches anything that does, and the cloth is ruined to look at while it is still as strong as it was woven.

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